Gunman in the pergola window...

[Tom Graves]

Dear Royell,

Yes, the sun has moved a significant amount.

That's why the shadows on the car that's visible next to the "island" (or do you still think it's a car on the other side of Elm Street Extension or maybe the wall of the TSBD???) in the gap between "Purse Lady" and "Fedora Man" in the Wiegman clip are different from those cast on the 1958 Pontiac Bonneville parked in the same spot in Hughes, but retain enough gross similarities as to make it possible to determine that they're being cast by the same branches and clumps of leaves, and are, therefore, being cast onto the same car -- your 1958 Pontiac Bonneville "Getaway Car"!

Look at it this way:

Given the fact that the sun has moved so much between Wiegman and Hughes, if the shadows had been more similar than they are, it would have cast (pardon the pun) doubt that they were the same cars.

-- Tom

[Royell Storing]

      Do you have a problem comprehending what, "UNEQUIVOCALLY Match" means? This declaration leaves no room for hedging. Which is exactly what You and "The Nutty Professor" need in order to repeatedly retract his conclusions time-after-time-after-time.

[Tom Graves]

Do you have a problem comprehending what "unequivocal match" means?

Dear Royell,

Not at all.

Having only recently taken a close look at the shadows on the 1958 Pontiac Bonneville in Hughes and compared them to the shadows being cast many minutes earlier on the object between "Purse Lady" and "Fedora Man" in Wiegman, James has shown us that said shadows are so similar in their gross aspects as to definitely and unequivocally prove that the object between "Purse Lady" and "Fedora" in Wiegman is nothing other than the mid-portion of the aforementioned 1958 Pontiac Bonneville.

In other words, after a long and complicated analysis of a complicated situation, James has proved that his original intuition was correct -- your 1958 Pontiac Bonneville "Getaway Car" was there all along!

By the way, Royell, thank you for admitting that shadows are falling on something between "Purse Lady" and "Fedora Man" in Wiegman.

Hopefully, you don't think (sic) that the object in that gap is a car parked on the other side of Elm Street Extension . . . or [fill in the blank].

-- Tom

[Tom Graves]

Dear Royell,

You asked if I have a problem comprehending what James' use of the term "unequivocal match" means in the context of identifying your 1958 Pontiac Bonneville "Getaway Car" in Wiegman.

Not at all, Royell.

Having only recently taken a close look at the shadows on the 1958 Pontiac Bonneville in Hughes and compared them to the shadows being cast many minutes earlier on the object between "Purse Lady" and "Fedora Man" in Wiegman, James has shown us that said shadows are so similar in their gross aspects as to definitely and unequivocally prove that the object between "Purse Lady" and "Fedora" in Wiegman is nothing other than the front portion of the aforementioned 1958 Pontiac Bonneville.

In other words, after a long and complicated analysis of a complicated situation, James has proved that his original intuition was correct -- your 1958 Pontiac Bonneville "Getaway Car" was there all along!

By the way, Royell, thank you for admitting that shadows are falling on something between "Purse Lady" and "Fedora Man" in Wiegman.

Hopefully, you don't think (sic) that that "something" is a car parked on the other side of Elm Street Extension . . . or [fill in the blank].

-- Tom

[Royell Storing]

  If you take a look at the images of the Elm St Ext from Wiegman to roughly 30 minutes after the kill shot, you will see that the Elm St Ext is engulfed with shadows. But you wouldn't know this. Instead of doing the laborious research, you simply attach yourself to "The Nutty Professor" and endorse the wearing of Red/Cyan Glasses which is supposed to reveal, "Shadow DNA". "Birds of a feather.....".

[Tom Graves]

If you take a look at the images of the Elm Street Extension from Wiegman to roughly 30 minutes after the kill shot, you will see that the Elm Street Extension is engulfed with shadows.

Dear Royell,

Was the oak tree casting any shadows on Inspector Sawyer's car around 12:45?

-- Tom

[Royell Storing]

Dear Royell,

Was the oak tree casting any shadows on Inspector Sawyer's car around 12:45?

-- Tom

         You glom onto The Nutty Professor's "Shadow DNA", and THEN ask the question above? You're completely lost with respect to the Elm St Extension.