Gunman in the pergola window...

[John Corbett]

Bizarre is a polite way to describe Cinque's beliefs. He seems to have been chased off of every forum where he once posted. I believe he is now operating some kind of alternative health clinic out of his home in the south. And here he is writing letters to FBI Director Kash Patel 

https://oswaldinthedoorway.blogspot.com/2025/03/an-open-letter-to-fbi-director-kash.html

Glad to hear Cinque is still around. As far as I know, he wasn't kicked off the McAdams forum. I think he left on his own years before John passed away. Of all the crackpots I've dealt with over the years, his quirkiness made him somewhat likeable. I wouldn't say that about most of the CTs I've sparred with over the last 35 years.

I doubt Cinque's letter ever got upstairs to Kash Patel unless someone reading the letter thought Kash might get a good chuckle out of it. I know I did.

[Tom Graves]

x

[Tom Graves]

Duplicate post

[Tom Graves]

It is strange to see Maxwell getting consistently dogpiled, vs no response regarding: (1) "Shadow DNA",  and, (2) A "Rectangle Of Invisibility" measuring 17.5 Feet long by almost 5 Feet high. 

Dear Royell,

I asked James:

"What did you mean by, 'DNA scale identification of the Wiegman Gap? DNA scale???'"


His reply:

"I meant the power to unequivocally match the shadows in the Wiegman 'Gap' with the Hughes shadows. Meant as analogy, with perhaps a bit of hyperbole."


In other words, Royell, the shadows on the 1958 Pontiac Bonneville in the Hughes clip sufficiently match those on the object next to the "island" and in the gap between "Purse Lady" and "Fedora Man" as to be able to identify said object as your 1958 Pontiac Bonneville "Getaway Car."

IT WAS THERE ALL ALONG!

LOL!


17.5-foot-long "Rectangle of Invisibility"?

LOL!!!

(See above)


-- Tom

[Tom Graves]

Dear Royell,

I asked James:

"What did you mean by, 'DNA scale identification of the Wiegman Gap? DNA scale???'"


His reply:

"I meant the power to unequivocally match the shadows in the Wiegman 'Gap' with the Hughes shadows. Meant as analogy, with perhaps a bit of hyperbole."


In other words, Royell, the shadows on the 1958 Pontiac Bonneville in the Hughes clip sufficiently match those on the object next to the "island" and in the gap between "Purse Lady" and "Fedora Man" as to be able to identify said object as your 1958 Pontiac Bonneville "Getaway Car."

IT WAS THERE ALL ALONG!

LOL!


17.5-foot-long "Rectangle of Invisibility"?

LOL!!!

(See above)


-- Tom

[Royell Storing]

Dear Royell,

I asked James:

"What did you mean by, 'DNA scale identification of the Wiegman Gap? DNA scale???'"


His reply:

"I meant the power to unequivocally match the shadows in the Wiegman 'Gap' with the Hughes shadows. Meant as analogy, with perhaps a bit of hyperbole."


In other words, Royell, the shadows on the 1958 Pontiac Bonneville in the Hughes clip sufficiently match those on the object next to the "island" and in the gap between "Purse Lady" and "Fedora Man" as to be able to identify said object as your 1958 Pontiac Bonneville "Getaway Car."

IT WAS THERE ALL ALONG!

LOL!


17.5-foot-long "Rectangle of Invisibility"?

LOL!!!

(See above)


-- Tom

    There is a time gap between Wiegman filming the Island and Hughes filming of the "getaway" car. This means the light source/Sun has moved and therefore changed the shadows being cast. Claiming to: (1) "UNEQUIVOCALLY Match the shadows...", and, (2) Provide a claimed DNA Match, is ridiculous.
    Going back to the erroneous Lego Cars, Lego Men, Lego Women, and now this Shadow DNA, I have tried to be nice in addressing these admitted failures and the ensuing apologies. This is now a track record. What is continually being claimed is right in line with the cartoonish "Badge Man" stuff. Straight out of The Nutty Professor Laboratory.     

[Tom Graves]

There is a time gap between Wiegman filming the Island and Hughes filming of the "getaway" car. This means the light source/Sun has moved and therefore changed the shadows being cast.

Dear Royell,

Yes, the sun has moved a significant degree.

That's why the shadows on the car that's visible next to the "island" (or do you still think it's a car on the other side of Elm Street Extension or maybe the wall of the TSBD???) in the gap between "Purse Lady" and "Fedora Man" in the Wiegman clip are different from those cast on the 1958 Pontiac Bonneville parked in the same spot in Hughes, but retain enough gross similarities as to make it possible to determine that they're being cast by the same branches and clumps of leaves and are, therefore, being cast onto the same car -- your 1958 Pontiac Bonneville "Getaway Car"!

Look at it this way:

Given the fact that the sun has moved so much, if the shadows had been more similar than they are, it would have cast (pardon the pun) doubt that the cars were the same.

-- Tom