Gunman in the pergola window...

[Tom Graves]

It is strange to see Maxwell getting consistently dogpiled, vs no response regarding: (1) "Shadow DNA",  and, (2) A "Rectangle Of Invisibility" measuring 17.5 Feet long by almost 5 Feet high. 

Dear Royell,

I asked James:

"What did you mean by, 'DNA scale identification of the Wiegman Gap? DNA scale???'"


His reply:

"I meant the power to unequivocally match the shadows in the Wiegman 'Gap' with the Hughes shadows. Meant as analogy, with perhaps a bit of hyperbole."


In other words, Royell, the shadows on the 1958 Pontiac Bonneville in the Hughes clip sufficiently match those on the object next to the "island" and in the gap between "Purse Lady" and "Fedora Man" as to be able to identify said object as your 1958 Pontiac Bonneville "Getaway Car."

IT WAS THERE ALL ALONG!

LOL!


17.5-foot-long "Rectangle of Invisibility"?

LOL!!!

(See above)


-- Tom

[Tom Graves]

Dear Royell,

I asked James:

"What did you mean by, 'DNA scale identification of the Wiegman Gap? DNA scale???'"


His reply:

"I meant the power to unequivocally match the shadows in the Wiegman 'Gap' with the Hughes shadows. Meant as analogy, with perhaps a bit of hyperbole."


In other words, Royell, the shadows on the 1958 Pontiac Bonneville in the Hughes clip sufficiently match those on the object next to the "island" and in the gap between "Purse Lady" and "Fedora Man" as to be able to identify said object as your 1958 Pontiac Bonneville "Getaway Car."

IT WAS THERE ALL ALONG!

LOL!


17.5-foot-long "Rectangle of Invisibility"?

LOL!!!

(See above)


-- Tom

[Royell Storing]

Dear Royell,

I asked James:

"What did you mean by, 'DNA scale identification of the Wiegman Gap? DNA scale???'"


His reply:

"I meant the power to unequivocally match the shadows in the Wiegman 'Gap' with the Hughes shadows. Meant as analogy, with perhaps a bit of hyperbole."


In other words, Royell, the shadows on the 1958 Pontiac Bonneville in the Hughes clip sufficiently match those on the object next to the "island" and in the gap between "Purse Lady" and "Fedora Man" as to be able to identify said object as your 1958 Pontiac Bonneville "Getaway Car."

IT WAS THERE ALL ALONG!

LOL!


17.5-foot-long "Rectangle of Invisibility"?

LOL!!!

(See above)


-- Tom

    There is a time gap between Wiegman filming the Island and Hughes filming of the "getaway" car. This means the light source/Sun has moved and therefore changed the shadows being cast. Claiming to: (1) "UNEQUIVOCALLY Match the shadows...", and, (2) Provide a claimed DNA Match, is ridiculous.
    Going back to the erroneous Lego Cars, Lego Men, Lego Women, and now this Shadow DNA, I have tried to be nice in addressing these admitted failures and the ensuing apologies. This is now a track record. What is continually being claimed is right in line with the cartoonish "Badge Man" stuff. Straight out of The Nutty Professor Laboratory.     

[Tom Graves]

There is a time gap between Wiegman filming the Island and Hughes filming of the "getaway" car. This means the light source/Sun has moved and therefore changed the shadows being cast.

Dear Royell,

Yes, the sun has moved a significant degree.

That's why the shadows on the car that's visible next to the "island" (or do you still think it's a car on the other side of Elm Street Extension or maybe the wall of the TSBD???) in the gap between "Purse Lady" and "Fedora Man" in the Wiegman clip are different from those cast on the 1958 Pontiac Bonneville parked in the same spot in Hughes, but retain enough gross similarities as to make it possible to determine that they're being cast by the same branches and clumps of leaves and are, therefore, being cast onto the same car -- your 1958 Pontiac Bonneville "Getaway Car"!

Look at it this way:

Given the fact that the sun has moved so much, if the shadows had been more similar than they are, it would have cast (pardon the pun) doubt that the cars were the same.

-- Tom

[Tom Graves]

Dear Royell,

Yes, the sun has moved a significant amount.

That's why the shadows on the car that's visible next to the "island" (or do you still think it's a car on the other side of Elm Street Extension or maybe the wall of the TSBD???) in the gap between "Purse Lady" and "Fedora Man" in the Wiegman clip are different from those cast on the 1958 Pontiac Bonneville parked in the same spot in Hughes, but retain enough gross similarities as to make it possible to determine that they're being cast by the same branches and clumps of leaves, and are, therefore, being cast onto the same car -- your 1958 Pontiac Bonneville "Getaway Car"!

Look at it this way:

Given the fact that the sun has moved so much between Wiegman and Hughes, if the shadows had been more similar than they are, it would have cast (pardon the pun) doubt that they were the same cars.

-- Tom

[Royell Storing]

      Do you have a problem comprehending what, "UNEQUIVOCALLY Match" means? This declaration leaves no room for hedging. Which is exactly what You and "The Nutty Professor" need in order to repeatedly retract his conclusions time-after-time-after-time.

[Tom Graves]

Do you have a problem comprehending what "unequivocal match" means?

Dear Royell,

Not at all.

Having only recently taken a close look at the shadows on the 1958 Pontiac Bonneville in Hughes and compared them to the shadows being cast many minutes earlier on the object between "Purse Lady" and "Fedora Man" in Wiegman, James has shown us that said shadows are so similar in their gross aspects as to definitely and unequivocally prove that the object between "Purse Lady" and "Fedora" in Wiegman is nothing other than the mid-portion of the aforementioned 1958 Pontiac Bonneville.

In other words, after a long and complicated analysis of a complicated situation, James has proved that his original intuition was correct -- your 1958 Pontiac Bonneville "Getaway Car" was there all along!

By the way, Royell, thank you for admitting that shadows are falling on something between "Purse Lady" and "Fedora Man" in Wiegman.

Hopefully, you don't think (sic) that the object in that gap is a car parked on the other side of Elm Street Extension . . . or [fill in the blank].

-- Tom

[Tom Graves]

Dear Royell,

You asked if I have a problem comprehending what James' use of the term "unequivocal match" means in the context of identifying your 1958 Pontiac Bonneville "Getaway Car" in Wiegman.

Not at all, Royell.

Having only recently taken a close look at the shadows on the 1958 Pontiac Bonneville in Hughes and compared them to the shadows being cast many minutes earlier on the object between "Purse Lady" and "Fedora Man" in Wiegman, James has shown us that said shadows are so similar in their gross aspects as to definitely and unequivocally prove that the object between "Purse Lady" and "Fedora" in Wiegman is nothing other than the front portion of the aforementioned 1958 Pontiac Bonneville.

In other words, after a long and complicated analysis of a complicated situation, James has proved that his original intuition was correct -- your 1958 Pontiac Bonneville "Getaway Car" was there all along!

By the way, Royell, thank you for admitting that shadows are falling on something between "Purse Lady" and "Fedora Man" in Wiegman.

Hopefully, you don't think (sic) that that "something" is a car parked on the other side of Elm Street Extension . . . or [fill in the blank].

-- Tom