FWIW, Pat Speer, who is both a meticulous researcher and a staunch CTer, absolutely beats to death the issues being discussed on this thread (whatever the hell they are) at his Chapter 4,
https://www.patspeer.com/chapter4-pinning-the-tale-on-the-oswald. Once you reach the discussion of Shelley-Lovelady-Calvary-Adams-Baker-Truly, it goes on and on and on.
Pat accepts the reality of Shelley and Lovelady in the Couch film as determined by Dunckel and Kamp and acknowledges both of them (including the Kamp enhancement that Dan thinks was faked).
Pat has his own timeline as to what occurred. One point he emphasizes is something that had also occurred to me because I have very dramatically experienced it myself – i.e., the phenomenon of time dilation in extraordinary events, where something that couldn’t physically have taken more than 10 seconds seems like minutes.
In any event, Pat seems to arrive at a CT position without the claims of fakery, lying and witness intimidation being suggested by Dan. I would guess that Pat’s analysis is much closer to being correct, although he gives Adams more credence than I would and doesn’t seem aware that she later claimed the references to Shelley and Lovelady had been falsely inserted into her WC testimony (which seemingly makes no sense in any CT context).
I might also add: The “Shelley” labeled in red in the one photo posted early in this thread is absolutely not Shelley. Prayer Man enthusiast Andrej Stancak has impressively analyzed every film and photo showing the TSBD steps, and he clearly and convincingly identifies Shelley on the top step (landing) as Calvary is going up.
https://thejfktruthmatters.wordpress.com/2018/01/. His reconstruction appears below (Shelley in coat and tie behind guy with arm raised).
I am chiming in only because (1) Pat Speer’s work makes clear that a far better CT-oriented researcher than Dan can reach very different (and far more plausible) conclusions, and (2) Pat has the following images and diagram that make very clear where Shelley and Lovelady reentered. It is the little open door just to the left of the overhang where cars were parked. In the final diagram, the blue line is the route of Shelley and Lovelady, the green line is Adams and Styles, the red star is where Adams supposedly encountered them, and the yellow star is the phone that Pat Speer thinks Shelley may have used.




