A Car, A Garden, And A Coupla Guys

[Royell Storing]

 That is Not the best still frame. Also, the car extends from behind "Fedora Man" BACK toward the railroad yard. For whatever reason, you are erroneously focusing on the tip of the Island. The Signal Light Pole is NOT on the tip of the Island. Whether intentional or accidental, you've been misled.

[Tom Graves]

The car extends from behind "Fedora Man" back toward the railroad yard.

How do you know that?

Because there's a car parked "behind" the "Signal Light Pole" in the Robert Hughes clip"?

The Signal Light Pole is not on the tip of the Island. Whether intentional or accidental, you've been misled.

I don't give a flying you-know-what where exactly the "Signal Light Pole" was situated on the "Island," because for purposes of trying to figure out where your MYSTO "ABANDONED" GETAWAY CAR might be hiding in Wiegman is that Mr. Wiegman and Mr. Couch and Mr. Darnell filmed that part of Dealey Plaza from almost identical positions in the Houston Street-to Elm Street turn. That's why when James overlaid the Wiegman frame onto the Couch-Darnell frame and vice-versa, the "Freeway Signs Pole" and "Signal Light Pole" are so closely aligned in both frames and why there's so little difference in the frames between how the HUGE GATES and other architectural elements look in both frames, thereby making it easy to realize that your MYSTO "ABANDONED" GETAWAY CAR (the front of which is visible in Couch Darnell "to the right" of the "Signal Light Pole" as Officer Baker runs in front of it) may be hidden from Wiegman's (and our) view by the gaggle of people -- some of whom are standing in the street near the "island" (e.g., the woman who's wearing the black blouse or sweater and a white skirt), and others of whom are standing on the "Island," (e.g., "Fedora Man" and the people near him).

D'oh!!!

[Royell Storing]

  Just look at the Darnell Film snippet showing Officer Baker running across the Island. (1) The front bumper of the "Getaway" car parked alongside the Island is on Baker's Immediate (L). (2) The Signal Light Pole atop the Island is also on Baker's Immediate (L). That Signal Light Pole tells you where the "Getaway" car was parked alongside the Island.  This is not complicated. Just examine the Wiegman & Couch/Darnell Films. 

[Tom Graves]

Just look at the Darnell Film snippet showing Officer Baker running across the Island. (1) The front bumper of the "Getaway" car parked alongside the Island is on Baker's Immediate (L). (2) The Signal Light Pole atop the Island is also on Baker's Immediate (L). That Signal Light Pole tells you where the "Getaway" car was parked alongside the Island.  This is not complicated. Just examine the Wiegman & Couch/Darnell Films.

Do you believe that the montage that James created by overlaying the Couch-Darnell frame that best shows the front part of the MYSTO "ABANDONED" GETAWAY CAR with a frame from Wiegman that puts all of the non-human elements (e.g., the "Freeway Signs Pole," the "Signal Light Pole," and the HUGE GATES, etc., etc.) in the same place as they are in the corresponding Couch-Darnell frame was improperly done, or that said montage can't be used to figure out where your MYSTO ABANDONDED GETAWAY CAR might be "hiding" behind the throng of people in Wiegman?

Scroll down to look at James montage for the first time. (LOL)

https://www.jfkassassinationforum.com/index.php/topic,4597.40.html

[Royell Storing]

Do you believe that the montage that James created by overlaying the Couch-Darnell frame that best shows the front part of the MYSTO "ABANDONED" GETAWAY CAR with a frame from Wiegman that puts all of the non-human elements (e.g., the "Freeway Signs Pole," the "Signal Light Pole," and the HUGE GATES, etc., etc.) in the same place as they are in the corresponding Couch-Darnell frame was improperly done, or that said montage can't be used to figure out where your MYSTO ABANDONDED GETAWAY CAR might be "hiding" behind the throng of people in Wiegman?

Scroll down to look at James montage for the first time. (LOL)

https://www.jfkassassinationforum.com/index.php/topic,4597.40.html

     With respect to the Wiegman still frame, what is that pointed object laying across the Island? It looks like an umbrella laying on its' side. It's at the feet of the women standing there. Let's start with this Wiegman Film object that you claim is in the "same place". What is it? This object is Not on my copy of the Wiegman Film. I am waiting for your explanation.

[Royell Storing]

How do you know that?

Because there's a car parked "behind" the "Signal Light Pole" in the Robert Hughes clip"?

I don't give a flying you-know-what where exactly the "Signal Light Pole" was situated on the "Island," because for purposes of trying to figure out where your MYSTO "ABANDONED" GETAWAY CAR might be hiding in Wiegman is that Mr. Wiegman and Mr. Couch and Mr. Darnell filmed that part of Dealey Plaza from almost identical positions in the Houston Street-to Elm Street turn. That's why when James overlaid the Wiegman frame onto the Couch-Darnell frame and vice-versa, the "Freeway Signs Pole" and "Signal Light Pole" are so closely aligned in both frames and why there's so little difference in the frames between how the HUGE GATES and other architectural elements look in both frames, thereby making it easy to realize that your MYSTO "ABANDONED" GETAWAY CAR (the front of which is visible in Couch Darnell "to the right" of the "Signal Light Pole" as Officer Baker runs in front of it) may be hidden from Wiegman's (and our) view by the gaggle of people -- some of whom are standing in the street near the "island" (e.g., the woman who's wearing the black blouse or sweater and a white skirt), and others of whom are standing on the "Island," (e.g., "Fedora Man" and the people near him).

D'oh!!!

    Couch and Darnell did Not, "...filmed that part of Dealey Plaza from almost identical positions in the Houston St to Elm St turn. Couch filmed that corner from inside Camera Car #3. Darnell was in motion on the ground. You need to do the research to understand what you are looking at with respect to the Couch/Darnell Films. Your claims reflect your limited knowledge with respect to the Island, the Elm St Ext, and the Couch and Darnell films.   

[Tom Graves]

Couch and Darnell did Not, "...filmed that part of Dealey Plaza from almost identical positions in the Houston St to Elm St turn. Couch filmed that corner from inside Camera Car #3. Darnell was in motion on the ground. You need to do the research to understand what you are looking at with respect to the Couch/Darnell Films. Your claims reflect your limited knowledge with respect to the Island, the Elm St Ext, and the Couch and Darnell films.

Dear Comrade Storing,

Okay.

Was it just a miracle, then, that the frames -- one from Darnell (or was it Couch?) and the other from Wiegman -- that James juxtaposed with each other in his overlay montage lined up so well, perspective-wise?

Or did the bad guys alter it (or . . . gasp . . . both of them) to make it only seem that way?

-- Tom