Questions for our resident forensic graphic artist, James Hackerott

[Royell Storing]

  Funny to see you guys knee-jerking with this consistently changing alleged "shadows" stuff. What is this? Take #4? And this "process" previously crashed-and-burned with the claimed "Wide Open" Huge Gates when Officer Harkness and Euins passed by them on  the Martin Film. What you seriously need is a good copy of the Wiegman film. There's no question the Wiegman Film car is on the TSBD side of the Elm St Ext. Right in front of the Corvair. And this is further validated by the National Geographic snippet showing the TSBD side of the Elm St Ext.  But go ahead and roll out the alleged "shadows" with the Lego Cars and the Lego Figures being  placed out of position. Peer Review is howling at this ongoing 6th grade project.

[Tom Graves]

Funny to see you guys knee-jerking with this consistently changing alleged "shadows" stuff. What is this? Take #4? And this "process" previously crashed-and-burned with the claimed "Wide Open" Huge Gates when Officer Harkness and Euins passed by them on the Martin Film. What you seriously need is a good copy of the Wiegman film. There's no question the Wiegman Film car is on the TSBD side of the Elm St Ext. Right in front of the Corvair. And this is further validated by the National Geographic snippet showing the TSBD side of the Elm St Ext.  But go ahead and roll out the alleged "shadows" with the Lego Cars and the Lego Figures being  placed out of position. Peer Review is howling at this ongoing 6th grade project.

Dear Royell,

Can you see the shadows cast by the branches and leaves of the oak tree on the 1958 Pontiac Bonneville in the Hughes clip?

Good!

Can you see roughly the same pattern of shadows (different due to a change in angle and a change in time, but still recognizable) on something close to the "island" between "Fedora Man" and "Purse Lady" around the 1:47 mark in the Wiegman film and in James' montage?

Good!

Isn't it logical to conclude that the object that those shadows are being cast upon is your 1958 Pontiac Bonneville "Getaway Car"?

-- Tom

[Tommy Shanks]

Peer Review is howling at this ongoing 6th grade project.

Not as much as it howls at your laughable claims about JFK film and photo fakery.

[Royell Storing]

Tom, what an awesome request. While reviewing the Hughes film frames I found close up identical shadow patterns in the same area as the “Getaway Car”. This is a DNA scale identification of the Wiegman “Gap” shadow car being in the same location within a few minutes with the Hughes car!!!
https://drive.google.com/file/d/1_QAs5E8-X2Sr5Wji-MBHINvR7-o7IrkQ/view?usp=drive_lin

   BUMP -  The passage of time between Weigman filming the Island vs Hughes filming the "getaway" car would not result in, "close up IDENTICAL SHADOW patterns...". This is now Shadow Screw-Up #5. 

[Tom Graves]

BUMP -  The passage of time between Weigman filming the Island vs Hughes filming the "getaway" car would not result in, "close up IDENTICAL SHADOW patterns...". This is now Shadow Screw-Up #5.

Dear Royell,

What do you think the shadows from the oak tree that are visible between "Purse Lady" and "Fedora Man" are cast onto?

A car on the other side of Elm Street Extension?

The wall of the TSBD?

-- Tom

[Royell Storing]

Dear Royell,

What do you think the shadows from the oak tree that are visible between "Purse Lady" and "Fedora Man" are cast onto?

A car on the other side of Elm Street Extension?

The wall of the TSBD?

-- Tom

   The visual aid "analysis" now being thrown out there is that a Hughes Film tree limb shadow, has the same "close up IDENTICAL SHADOW PATTERN" as a Wiegman Film tree limb shadow. Anyone endorsing this "analysis" should be over on Facebook. Posting alongside those creating visual aids of SA Greer turning around and shooting JFK head on.     

[Tom Graves]

The visual aid "analysis" now being thrown out there is that a Hughes Film tree limb shadow, has the same "close up IDENTICAL SHADOW PATTERN" as a Wiegman Film tree limb shadow. Anyone endorsing this "analysis" should be over on Facebook. Posting alongside those creating visual aids of SA Greer turning around and shooting JFK head on.     

Dear Royell,

The shadows that were cast on a large object that immediately next to the "island" between the "Purse Lady" and "Fedora Man" in Wiegman (which object you mistakenly believe was a car parked on the other side of Elm Street Extension) were sufficiently similar -- in spite of the fact that they were photographed at different times and from different distances and angles -- to those falling on your 1958 Pontiac Bonneville "Getaway Car" in Hughes as to prove that the large object between "Purse Lady" and "Fedora Man" was nothing other than the 1958 Pontiac Bonneville -- which you've already admitted was in exactly the same spot in Hughes.

In other words, IT WAS THERE ALL ALONG.

LOL!

-- Tom

[Royell Storing]

     Whether it be a tree limb or any other object, the shadow of such changes over the course of time as the light source/Sun moves. There is this passage of time between Wiegman filming the Island, and Hughes filming the "getaway" car. Like a drowning man, you are glomming onto whatever  drifts by. This  would include: (1) Incorrectly placed Lego Cars, (2) Incorrectly placed Lego Men, (3) Incorrectly placed Lego Women, (4) Incorrectly placed Elm St curb, (5) "IDENTICAL Shadow Pattern", and (6) "DNA Scale Identification". You are now going under for the 6th time. Do your own research!