Questions for our resident forensic graphic artist, James Hackerott

[Tommy Shanks]

   With respect to the Alyea photo, you guys have fallen into the trap of solely having your eyes fixed on the "getaway" car. Try widening your attention to the Long Shadows being cast by the people standing close to that "getaway" car. Then, compare that to the Short shadows being cast by people standing around the Island in the Wiegman Film Footage. Tick/Tock involved big time.

More baloney from imaginary anomaly spotter Royell Storing! Boy, I don't envy those flim alterationists who had to painstakingly edit the shadows made by people in cars in Dealey Plaza. Hope they got overtime, or at least a free lunch?

[Tom Graves]

Tom, what an awesome request. While reviewing the Hughes film frames I found close up identical shadow patterns in the same area as the “Getaway Car”. This is a DNA scale identification of the Wiegman “Gap” shadow car being in the same location within a few minutes with the Hughes car!!!

https://drive.google.com/file/d/1_QAs5E8-X2Sr5Wji-MBHINvR7-o7IrkQ/view?usp=drive_lin

Nice work, James!

Storing's "Getaway Car" was there all along!

[Royell Storing]

  Funny to see you guys knee-jerking with this consistently changing alleged "shadows" stuff. What is this? Take #4? And this "process" previously crashed-and-burned with the claimed "Wide Open" Huge Gates when Officer Harkness and Euins passed by them on  the Martin Film. What you seriously need is a good copy of the Wiegman film. There's no question the Wiegman Film car is on the TSBD side of the Elm St Ext. Right in front of the Corvair. And this is further validated by the National Geographic snippet showing the TSBD side of the Elm St Ext.  But go ahead and roll out the alleged "shadows" with the Lego Cars and the Lego Figures being  placed out of position. Peer Review is howling at this ongoing 6th grade project.

[Tom Graves]

Funny to see you guys knee-jerking with this consistently changing alleged "shadows" stuff. What is this? Take #4? And this "process" previously crashed-and-burned with the claimed "Wide Open" Huge Gates when Officer Harkness and Euins passed by them on the Martin Film. What you seriously need is a good copy of the Wiegman film. There's no question the Wiegman Film car is on the TSBD side of the Elm St Ext. Right in front of the Corvair. And this is further validated by the National Geographic snippet showing the TSBD side of the Elm St Ext.  But go ahead and roll out the alleged "shadows" with the Lego Cars and the Lego Figures being  placed out of position. Peer Review is howling at this ongoing 6th grade project.

Dear Royell,

Can you see the shadows cast by the branches and leaves of the oak tree on the 1958 Pontiac Bonneville in the Hughes clip?

Good!

Can you see roughly the same pattern of shadows (different due to a change in angle and a change in time, but still recognizable) on something close to the "island" between "Fedora Man" and "Purse Lady" around the 1:47 mark in the Wiegman film and in James' montage?

Good!

Isn't it logical to conclude that the object that those shadows are being cast upon is your 1958 Pontiac Bonneville "Getaway Car"?

-- Tom

[Tommy Shanks]

Peer Review is howling at this ongoing 6th grade project.

Not as much as it howls at your laughable claims about JFK film and photo fakery.

[Royell Storing]

Tom, what an awesome request. While reviewing the Hughes film frames I found close up identical shadow patterns in the same area as the “Getaway Car”. This is a DNA scale identification of the Wiegman “Gap” shadow car being in the same location within a few minutes with the Hughes car!!!
https://drive.google.com/file/d/1_QAs5E8-X2Sr5Wji-MBHINvR7-o7IrkQ/view?usp=drive_lin

   BUMP -  The passage of time between Weigman filming the Island vs Hughes filming the "getaway" car would not result in, "close up IDENTICAL SHADOW patterns...". This is now Shadow Screw-Up #5. 

[Tom Graves]

BUMP -  The passage of time between Weigman filming the Island vs Hughes filming the "getaway" car would not result in, "close up IDENTICAL SHADOW patterns...". This is now Shadow Screw-Up #5.

Dear Royell,

What do you think the shadows from the oak tree that are visible between "Purse Lady" and "Fedora Man" are cast onto?

A car on the other side of Elm Street Extension?

The wall of the TSBD?

-- Tom