Questions for our resident forensic graphic artist, James Hackerott

Users Currently Browsing This Topic:
Mitch Todd, Steve Howsley, Royell Storing

Author Topic: Questions for our resident forensic graphic artist, James Hackerott  (Read 532 times)

Online Royell Storing

  • Hero Member
  • *****
  • Posts: 4732

  Funny to see you guys knee-jerking with this consistently changing alleged "shadows" stuff. What is this? Take #4? And this "process" previously crashed-and-burned with the claimed "Wide Open" Huge Gates when Officer Harkness and Euins passed by them on  the Martin Film. What you seriously need is a good copy of the Wiegman film. There's no question the Wiegman Film car is on the TSBD side of the Elm St Ext. Right in front of the Corvair. And this is further validated by the National Geographic snippet showing the TSBD side of the Elm St Ext.  But go ahead and roll out the alleged "shadows" with the Lego Cars and the Lego Figures being  placed out of position. Peer Review is howling at this ongoing 6th grade project.

Online Tom Graves

  • Hero Member
  • *****
  • Posts: 3241
Funny to see you guys knee-jerking with this consistently changing alleged "shadows" stuff. What is this? Take #4? And this "process" previously crashed-and-burned with the claimed "Wide Open" Huge Gates when Officer Harkness and Euins passed by them on the Martin Film. What you seriously need is a good copy of the Wiegman film. There's no question the Wiegman Film car is on the TSBD side of the Elm St Ext. Right in front of the Corvair. And this is further validated by the National Geographic snippet showing the TSBD side of the Elm St Ext.  But go ahead and roll out the alleged "shadows" with the Lego Cars and the Lego Figures being  placed out of position. Peer Review is howling at this ongoing 6th grade project.

Dear Royell,

Can you see the shadows cast by the branches and leaves of the oak tree on the 1958 Pontiac Bonneville in the Hughes clip?

Good!

Can you see roughly the same pattern of shadows (different due to a change in angle and a change in time, but still recognizable) on something close to the "island" between "Fedora Man" and "Purse Lady" around the 1:47 mark in the Wiegman film and in James' montage?

Good!

Isn't it logical to conclude that the object that those shadows are being cast upon is your 1958 Pontiac Bonneville "Getaway Car"?

-- Tom
« Last Edit: Yesterday at 10:21:29 PM by Tom Graves »

Offline Tommy Shanks

  • Full Member
  • ***
  • Posts: 167
Peer Review is howling at this ongoing 6th grade project.

Not as much as it howls at your laughable claims about JFK film and photo fakery.

Online Royell Storing

  • Hero Member
  • *****
  • Posts: 4732
Tom, what an awesome request. While reviewing the Hughes film frames I found close up identical shadow patterns in the same area as the “Getaway Car”. This is a DNA scale identification of the Wiegman “Gap” shadow car being in the same location within a few minutes with the Hughes car!!!

https://drive.google.com/file/d/1_QAs5E8-X2Sr5Wji-MBHINvR7-o7IrkQ/view?usp=drive_lin


   BUMP -  The passage of time between Weigman filming the Island vs Hughes filming the "getaway" car would not result in, "close up IDENTICAL SHADOW patterns...". This is now Shadow Screw-Up #5. 
« Last Edit: Today at 12:32:12 AM by Royell Storing »

Online Tom Graves

  • Hero Member
  • *****
  • Posts: 3241
BUMP -  The passage of time between Weigman filming the Island vs Hughes filming the "getaway" car would not result in, "close up IDENTICAL SHADOW patterns...". This is now Shadow Screw-Up #5.

Dear Royell,

What do you think the shadows from the oak tree that are visible between "Purse Lady" and "Fedora Man" are cast onto?

A car on the other side of Elm Street Extension?

The wall of the TSBD?

-- Tom
« Last Edit: Today at 02:21:49 AM by Tom Graves »