Questions for our resident forensic graphic artist, James Hackerott

[Royell Storing]

Dear Royell,

What do you think the shadows from the oak tree that are visible between "Purse Lady" and "Fedora Man" are cast onto?

A car on the other side of Elm Street Extension?

The wall of the TSBD?

-- Tom

   The visual aid "analysis" now being thrown out there is that a Hughes Film tree limb shadow, has the same "close up IDENTICAL SHADOW PATTERN" as a Wiegman Film tree limb shadow. Anyone endorsing this "analysis" should be over on Facebook. Posting alongside those creating visual aids of SA Greer turning around and shooting JFK head on.     

[Tom Graves]

The visual aid "analysis" now being thrown out there is that a Hughes Film tree limb shadow, has the same "close up IDENTICAL SHADOW PATTERN" as a Wiegman Film tree limb shadow. Anyone endorsing this "analysis" should be over on Facebook. Posting alongside those creating visual aids of SA Greer turning around and shooting JFK head on.     

Dear Royell,

The shadows that were cast on a large object that immediately next to the "island" between the "Purse Lady" and "Fedora Man" in Wiegman (which object you mistakenly believe was a car parked on the other side of Elm Street Extension) were sufficiently similar -- in spite of the fact that they were photographed at different times and from different distances and angles -- to those falling on your 1958 Pontiac Bonneville "Getaway Car" in Hughes as to prove that the large object between "Purse Lady" and "Fedora Man" was nothing other than the 1958 Pontiac Bonneville -- which you've already admitted was in exactly the same spot in Hughes.

In other words, IT WAS THERE ALL ALONG.

LOL!

-- Tom

[Royell Storing]

     Whether it be a tree limb or any other object, the shadow of such changes over the course of time as the light source/Sun moves. There is this passage of time between Wiegman filming the Island, and Hughes filming the "getaway" car. Like a drowning man, you are glomming onto whatever  drifts by. This  would include: (1) Incorrectly placed Lego Cars, (2) Incorrectly placed Lego Men, (3) Incorrectly placed Lego Women, (4) Incorrectly placed Elm St curb, (5) "IDENTICAL Shadow Pattern", and (6) "DNA Scale Identification". You are now going under for the 6th time. Do your own research!   

[Tom Graves]

Like a drowning man, you are glomming onto whatever drifts by, including "IDENTICAL Shadow Pattern."   

Dear Royell,

I know you're desperate, but there's no need for you to lie and exaggerate.

I never said it was an IDENTICAL shadow pattern -- how could it be, given the fact that the sun had already moved a bit in the sky and Hughes had filmed it from a much closer position and different angle than Wiegman had?

D'oh!

Just admit that while Wiegman was filming, your 1958 Pontiac Bonneville "Getaway Car" was parked right next to the "island"  -- partly visible between "Purse Lady" and "Fedora Man" -- right where it still was in the Hughes clip several minutes later and with the same recognizable shadows on it.

-- Tom

PS At least you admit that shadows are being cast on something between "Purse Lady" and "Fedora Man," so there's a smidgen of hope for you yet.

Unless, of course, you think (sic) that that "something" is a car parked on the other side of Elm Street Extension, or the TSBD wall, or some such thing.

LOL!

-- Tom

[Royell Storing]

Dear Royell,

The shadows that were cast on a large object that immediately next to the "island" between the "Purse Lady" and "Fedora Man" in Wiegman (which object you mistakenly believe was a car parked on the other side of Elm Street Extension) were sufficiently similar -- in spite of the fact that they were photographed at different times and from different distances and angles -- to those falling on your 1958 Pontiac Bonneville "Getaway Car" in Hughes as to prove that the large object between "Purse Lady" and "Fedora Man" was nothing other than the 1958 Pontiac Bonneville -- which you've already admitted was in exactly the same spot in Hughes.

In other words, IT WAS THERE ALL ALONG.

LOL!

-- Tom

    BUMP - What you are parroting above is the Hackerott Shadow Theory. Are you now trying to take credit for his theory? This would be like stealing a car up on blocks.   

[Tom Graves]

What you are parroting above is the HACKROTTE Shadow Theory. Are you now trying to take credit for his theory? This would be like stealing a car up on blocks.   

Dear Royell Pain in the You-Know-What,

Do try to keep up, won't you?

I've already told you that James was right about the shadows being cast on your 1958 Pontiac Bonneville "Getaway Car" in Wiegman, and that you and I, for different reasons, stupidly talked him out of it.

The only "credit" I can take is motivating him to look for other photographic images of shadows being cast on said "Getaway Car."

Thank God he had the presence of mind to take a close look at the Hughes clip.

Case Closed on Royell Storing's mythological "Getaway Car," and the Shelley and Lovelady "look-alike" bad guys who had "bailed on it there."

LOL!

-- Tom

[Royell Storing]

    The claimed "DNA" Shadow of a tree limb being scrutinized over the passage of time is laughable. On top of that, you have no idea how comic book funny this is.