Nothing seems to have changed

[Tom Graves]

What are you claiming that "circular" object is on the car to the left of Fedora Man? That "circular" object is a tail light/brake light. The circumference of this object is far too small to possibly be a headlight. And that same circular object matches up with the circular object that we see on the car in the National Geographic snippet mentioned above.   

Dear Sonderführer Storing,

Charles is right that the "circular object" is the photographed-from-an-angle-and-therefore-reduced-in-size taillight of your 1958 Pontiac Bonneville "Abandoned Getaway Car" because we can also see the end section of the design feature that Car and Driver magazine described below as "the Buck's [as in Buck Rogers'] Battle Squadron rocket shooting along the full length of each side, complete with little chrome dia­mond shock waves in the white-painted "exhaust"

Seventeen and a half feet long, it can stand a lot of gazing upon. The "New Di­rection Styling" of this "Bold New Pontiac"—"the boldest advance in 50 years," asserted the ads boldly—featured Pontiac's first dual headlights, which were echoed by twinned taillights. There were dual exhausts, too—two sets of them. Fake ones pierced the huge rear bumper for fif­ties-era excitement, and real ones were hidden down below, where they wouldn't stain the chrome. Speaking of chrome, the traditional silver streaks may have been gone, but there was no shortage of spar­kling-bright plating. Tons of the stuff highlighted every line of the body, making sure you noticed the pillarless roofline, the false air venting at the rear of the canopy, the wraparound fighter-cockpit wind­shield shape, the Buck's Battle Squadron rocket shooting along the full length of each side, complete with little chrome dia­mond shock waves in the white-painted "exhaust". . . why, a person could flash clear out to Mars in this wondrous thing!


Look at how small the taillight looks in this photo, for crying out loud.

https://i.vgy.me/QqYqHS.jpg


And in this photo you can see "Buck Roger's Battle Squadron rocket shooting along the full length" of your 1958 Pontiac Bonneville "Abandoned Getaway Car" -- and the wide, flaring, white-painted rocket "exhaust" near the end which can be seen on the car in the Wiegman clip, proving that your "Abandoned Getaway Car" was there the whole time!

https://i.ibb.co/6ccmKRWm/Car.jpg

The fact that the "circular object" (the passenger-side taillight of the 1958 Pontiac Bonneville "Abandoned Getaway Car") seems to line up perfectly with the taillight / brake light of some rando car "across the street" in Wiegman is just an example of the planets being in alignment in the anomaly-replete tragedy known as the JFK Assassination.


Speaking of rockets, rocket exhaust, and planets, you should be exiled to one of The Outer ones (e.g., Uranus), Sonderführer Storing.


-- Tom

[Royell Storing]

The Black Arrow is wrong. Officer Baker's motorcycle was Not parked that close to the corner. The motorcycle is parked a little further down Elm St. Hence, the Baker tracking path is wrong.

Yes, it is wrong. I made an assumption based on one of your earlier statements. My mistake. Looking at Baker’s path on the Darnell film, he actually passed on the other side of the traffic light pole. My first sight of Baker’s helmet in the Darnell film shows him to have already crossed about half way across the island before that point in time. Baker then makes several strides before stepping down off of the island and in front of the “getaway car”. Based on 3-feet per stride, this would be consistent with Baker having to cross about 18-feet across the island. That’s also about the visible width of the island we see when looking across it from Wiedman’s camera’s line of sight. That span of ~18-feet of the surface of the island is what we see between Fedora Man and Purse Woman (not the Elm Street surface).

Here’s a frame from Darnell that shows Baker’s motorcycle (red arrow), the curb location based on the shadow (blue arrow), and what appears to me to be Baker’s helmet (yellow arrow) as I first see him in that film segment.

           Baker parks his motorcycle close to the Elm St curb. He then runs up the sidewalk. This puts him on a path to be on the (R) side of the signal light pole. Look at the Darnell Film (:02). Look low to the ground. You can see the lower portion of Baker's leg trailing behind him. His BOOT Glistens in the sun. That shiny boot is clearly on the (R) side of the traffic signal pole.   

[Charles Collins]

           Baker parks his motorcycle close to the Elm St curb. He then runs up the sidewalk. This puts him on a path to be on the (R) side of the signal light pole. Look at the Darnell Film (:02). Look low to the ground. You can see the lower portion of Baker's leg trailing behind him. His BOOT Glistens in the sun. That shiny boot is clearly on the (R) side of the traffic signal pole.   

I disagree. The shadow of the traffic light pole indicates Baker is on the other side of it. Plus it appears to me that his helmet disappears behind the traffic light pole. I do believe the no parking sign pole is on the other side of Baker.

[Louis Earl]

"ALL the forensic evidence points to Lee Harvery Oswald as the assassin and there isn't a scrap of credible evidence that he had any co-conspirators."

This is because you are ignoring ALL evidence that does NOT point to LHO.

[Tom Graves]

"ALL the forensic evidence points to Lee Harvery Oswald as the assassin and there isn't a scrap of credible evidence that he had any co-conspirators."

This is because you are ignoring ALL evidence that does NOT point to LHO.

Were all of the photos, films and X-rays altered and/or faked, or just a few?

(LOL)

[Steve Barber]

I disagree. The shadow of the traffic light pole indicates Baker is on the other side of it. Plus it appears to me that his helmet disappears behind the traffic light pole. I do believe the no parking sign pole is on the other side of Baker.

As I said in my previous post, Baker is running between the traffic signal pole and the tree of highway signs-also on a pole.  He's clearly on the western side of the traffic signal pole, not the eastern side of it.

[Tom Graves]

I have discovered a car [the 1958 Pontiac Bonneville "Abandoned Getaway Car"] moving down Elm Street Extension at the same time that shots were being fired at JFK. This car is NOT on the Wiegman Film. Roughly 20 seconds later, this car IS on [sic]the Couch and Darnell Films. This is NOT "minutia". It is Brand New!

Dear Storing,

Charles Collins, Gerry Down, Steve Barber and I have proved you wrong.

Don't feel bad, though, because even The Great James Hackerott was fooled by your "the circular object in Wiegman is the taillight / brake light on another car on the other side of the street" explanation.

(LOL)

-- Tom