A Car, A Garden, And A Coupla Guys

[Tom Graves]

   "...long and easy-to-recognize getaway car"?  If 2 guys are going to get into the back seat and there are already 2 guys in the front seat, a decent size vehicle was mandatory. I still say those 2 silhouettes on the Couch Film, that have been speculated as being Lovelady and Shelley, are actually the 2 guys that were previously sitting in the front seat of the getaway car. The images of those 2 figures are captured at about 20 seconds after the kill shot. There is no way Shelley and Lovelady could have moved to the location of those 2 silhouetted images in only 20 seconds. The 20 second time limit rules out everyone with the exception of 2 people exiting that getaway car.

What a classical "useful idiot" you are, Storing.

Vladimir Putin and his predecessors cherish you!

[Royell Storing]

  JAMES - Thanks for posting this still frame.  Do you have a rough idea as to when this image was taken by Alyea?

   You ask about possible shadows on the Elm St Ext? With or without your heralded "Red/Cyan Glasses" on, that street was blanketed.

[Royell Storing]

Tom Alyea's view from the 7th floor.

  Bump regarding shadows on the Elm St Ext.

[Tom Graves]

[...]

Dear Royell,

The shadows weren't that long at 12:30, when Wiegman "captured" on film your 1958 Pontiac Bonneville "Getaway Car" parked next to the "island" between "Purse Lady" and "Fedora Man."

-- Tom

[Royell Storing]

Dear Royell,

The shadows weren't that long at 12:30, when Wiegman "captured" on film your 1958 Pontiac Bonneville "Getaway Car" parked next to the "island" between "Purse Lady" and "Fedora Man."

-- Tom

   Please do your research. The Couch still frame showing the 2 guys moving away from the "getaway" car, shows the Elm St Ext with shadows stretching across it. Even the Corvair parked on the TSBD side of the street has shadow on it. And that Couch still frame was taken only 20 seconds after the Kill Shot.

[Royell Storing]

The car was always there but the ladies in front are blocking most of it.
The first image below is from the above photo gallery and you can see some of the car next to the lady with the folded arms and you can see the roof a little bit to her right.
I believe the car to our left is directly in front of this car and as can be seen the perspective angle relatively shortens the length and when approximately sized, fits well within the block of obscuring ladies.



Royell's Car on the extreme left and a car directly behind, shows that the car in the above image was behind Royell's car.



In this Couch frame, the end of the car is a good match compared to the folded arm lady and the roof section as compared to the ladies in Wiegman is a similar height.



JohnM

   As you can see in the middle still frame, when you park cars across the street from each other, the entire "other side of the street" is gone. The "2 guys" we see on the Couch Film Still Frame have just exited the "getaway" car.

[Tom Graves]

The "two guys" we see in the Couch frame have just exited the "getaway" car.

Dear Royell,

Did they both get out on the driver's side?

-- Tom