A Car, A Garden, And A Coupla Guys

[Royell Storing]

You've been proved to be either a delusional nut case or a charlatan, Storing, and now you're desperate.

LOL!

  Please explain to this Forum the ground breaking, "Shadow DNA" that somehow ties images together that were captured at different points in time. You realize that you are now tying yourself to the Nutty Professor? 

[Tom Graves]

  Please explain to this Forum the ground breaking, "Shadow DNA" that somehow ties images together that were captured at different points in time. You realize that you are now tying yourself to the Nutty Professor?

James just used an unusual analogy, Storing, and it wasn't meant to be taken literally.

Get over it.

The fact remains that he has shown how the recognizably same shadows were falling on your 1958 Pontiac Bonneville "Getaway Car" when it was filmed in the gap between the "Purse Lady" and "Fedora Man" in Wiegman as were (still) falling on it in Hughes.

D'oh!

[Royell Storing]

James just used an unusual analogy, Storing, and it wasn't meant to be taken literally.

Get over it.

The fact remains that he has shown how the recognizably same shadows were falling on your 1958 Pontiac Bonneville "Getaway Car" when it was filmed in the gap between the "Purse Lady" and "Fedora Man" in Wiegman as were (still) falling on it in Hughes.

D'oh!

    "Shadow DNA"? "Red/Cyan glasses"? Seriously? You and the Nutty Professor have now joined the Cinque Community.   

[Royell Storing]

Sorry. These graphics might help. The graphic of the tree is an anaglyph, 3D if you can find a pair of the Red/Cyan glasses. Cheap on Amazon 

     If you do see a pair of those Red/Cyan glasses that are required to see, "Shadow DNA", you need to immediately snap them up. Ralph Cinque consistently buys them by the bushel basket. 

[Tom Graves]

[...]

Dear Royell,

Do you think (sic) the object that the shadows are being cast onto in the gap between "Purse Lady" and "Fedora Man" in Wiegman is a car parked on the other side of Elm Street Extension?

-- Tom

[Royell Storing]

I don’t think that is a taillight on a car near the gates. It is probably related to the Live Oak Tree shadow filling the area between the black suit man and the woman to his right. Such as shadow would be coming from the lower portion of the crown and on the south side (from modeling). The tree was not giving shade to the proposed car near the gates (north side of the Extension).

   Bearing in mind that wearing the Red/Cyan Glasses reveals, "Shadow DNA", have you tried wearing them and examining the Moorman photo? Those Red/Cyan glasses might bring the "Badge Man" into focus.

[Tom Graves]

[...]

Dear Royell,

You recently sarcastically asked on another thread if I have a problem comprehending what James' use of the term "unequivocal match" means in the context of identifying your 1958 Pontiac Bonneville "Getaway Car" in Wiegman.

Not at all, Royell.

Having only recently taken a close look at the shadows on the 1958 Pontiac Bonneville in Hughes and compared them to the shadows being cast many minutes earlier on the object between "Purse Lady" and "Fedora Man" in Wiegman, James has shown us that said shadows are so similar in their gross aspects as to definitely and unequivocally prove that the object between "Purse Lady" and "Fedora" in Wiegman is nothing other than the front portion of the aforementioned 1958 Pontiac Bonneville.

In other words, after a long and complicated analysis of a complicated situation, James has proved that his original intuition was correct -- your 1958 Pontiac Bonneville "Getaway Car" was there all along!

By the way, Royell, thank you for admitting that shadows are falling on something between "Purse Lady" and "Fedora Man" in Wiegman.

Hopefully, you don't think (sic) that that "something" is a car parked on the other side of Elm Street Extension . . . or [fill in the blank].

-- Tom

[Royell Storing]

Dear Royell,

You recently sarcastically asked on another thread if I have a problem comprehending what James' use of the term "unequivocal match" means in the context of identifying your 1958 Pontiac Bonneville "Getaway Car" in Wiegman.

Not at all, Royell.

Having only recently taken a close look at the shadows on the 1958 Pontiac Bonneville in Hughes and compared them to the shadows being cast many minutes earlier on the object between "Purse Lady" and "Fedora Man" in Wiegman, James has shown us that said shadows are so similar in their gross aspects as to definitely and unequivocally prove that the object between "Purse Lady" and "Fedora" in Wiegman is nothing other than the front portion of the aforementioned 1958 Pontiac Bonneville.

In other words, after a long and complicated analysis of a complicated situation, James has proved that his original intuition was correct -- your 1958 Pontiac Bonneville "Getaway Car" was there all along!

By the way, Royell, thank you for admitting that shadows are falling on something between "Purse Lady" and "Fedora Man" in Wiegman.

Hopefully, you don't think (sic) that that "something" is a car parked on the other side of Elm Street Extension . . . or [fill in the blank].

-- Tom

   Were you wearing The Nutty Professor endorsed "Red/Cyan Glasses"?  In order to see the "Shadow DNA", he claims you have to be wearing those glasses.