Then went outside to watch P. parade ( Parts 1 & 2 )

[Alan Ford]

Rethink Time For Ford?

Is this man waving a small flag?

And is this then the same man stretching his right arm out to wave away the limousine?

[Alan Ford]

Well!

Team Keep LHO Off Them Steps have the following story to tell:

1. Here's Mr. Lovelady in the Hughes film, standing way over west, behind the black man who is by the white west column---------------



2. As the limousine passes the building, Mr. Lovelady moves east and shows up like this in Bell---------------



However!

Subtract from the Bell clip above the tiny amount of time it takes for the limousine to cover half its own length, and we get this in Towner-----------------



Red Arrow: Ms. Madie Reese
Yellow Arrow: Somebody exactly where Reddish Shirt Man in Hughes was standing just an instant ago
Blue Arrow: A. N. Other, standing a little west of Ms. Reese and a little east of Reddish Shirt Man

'Don't be silly!' cries today's Team Keep LHO Off Them Steps spokesman, 'A.N.Other is just Lovelady (aka Reddish Shirt Man), he has stepped to his right. The person marked by the Yellow Arrow is the person behind him (PrayerWOMAN or Shelley), who has come down off the landing to take up the spot just vacated by Lovelady.'

Uh............ nope.

The reflection of the person behind Reddish Shirt Man in the glass door in Hughes shows that s/he is wearing BLUE:



Whereas Towner shows that the person standing behind the black man is showing up REDDISH:



Ergo! The person standing behind the black man in Towner must be the same person as the person standing behind the black man in Hughes just an instant earlier, i.e Reddish Shirt Man, i.e. Mr. Lee Harvey Oswald.

And A.N.Other, the person in Towner standing about midway between Reddish Shirt Man and Ms. Reese, must be Mr. Billy Lovelady, who is just half a limousine's length away from shifting back to his left and returning to normal standing posture at a spot east enough to place his right shoulder right behind Ms. Reese's elbow:



The only outstanding mystery here is what is the white & blue (with a hint of red down below in the last frame of the clip?) from behind which Mr. Lovelady comes into view?



 

[Alan Ford]

While you're doing all this, the rest of us can be having a good laugh at the thought, "Mr. Dan O'Meara thinks that person on the west side of the landing is an obese woman with white hair":



Loony toons!

 

To add to the fun, someone has found-----------in some Dan Owens aftermath footage-----------a lady standing in the doorway who looks extremely like Ms. Stanton:



Non-lunatics will enjoy a snicker as they compare her with PrayerWOMAN------------------------



----------------------and then look for a non-absurd candidate:



The reflection in the glass in Hughes establishes that Ms. Pauline Sanders was wearing blue that day

 

[Alan Ford]

Up to just a few weeks ago, it was assumed that Reddish Shirt Man in Hughes is shielding his eyes.

He's not-----------------he's taking a drink from a bottle:



And this aftermath photograph shows certain lunchtime items left right beside where he stood:




I believe these items are-----------------------

1. White wrapping paper (used for cheese sandwiches)
2. Coca Cola bottle
3. Apple core stuck into mouth of bottle

-----------------------and that they were left there by Mr. Oswald



 

[Alan Ford]

Up to just a few weeks ago, it was assumed that Reddish Shirt Man in Hughes is shielding his eyes.

He's not-----------------he's taking a drink from a bottle:

Apropos!

Let's imagine that there were a way, logistically, of making the Mr. Lovelady who appears in Bell/Wiegman/Altgens be Reddish Shirt Man in Hughes. (There isn't such a way, but let's forget that for a moment).

OK. So we would have two candidates for Reddish Shirt Man in Hughes---------------------------

Candidate A: Mr. Billy Lovelady
Candidate B: A different male, who is wearing a reddish shirt over a white tshirt

Do any of the known images of Mr. Lovelady (in Bell, in Wiegman, in Altgens) support the notion that he is holding a bottle in his right hand, as Reddish Shirt Man in Hughes is doing?
Not at all.

Do the images of PrayerPerson in Wiegman support the notion that they are holding a bottle in their right hand, as Reddish Shirt Man in Hughes is doing?
Yes.



Is it possible that Mr. Lovelady just left his Coke down in the very few seconds separating the last Hughes frame from the first Bell frame in which he appears? And that somebody came forward to vacate the spot just left by him, and that this somebody just happened to have something in their right hand which they brought to their mouth? Sure, all of that is.................... possible. But the commonalities between PrayerMAN in Wiegman and Reddish Shirt Man in Hughes (location; orientation of body; holding something in right hand that is brought to the mouth) make the conclusion that Reddish Shirt Man is PrayerMAN in Wiegman the commonsense conclusion.

But, of course! Reddish Shirt Man is not covered in shadow, whereas PrayerMAN in Wiegman is.

Given, however, the bizarre shadow down Mr. Lovelady's right side in that same film (Wiegman), it is no stretch whatsoever to say that PrayerMAN in Wiegman is the same person standing in the same spot as Reddish Shirt Man in Hughes----------------only with a fake shadow added over their person too.

Does anyone whose wits have not been entirely befuddled by Warren Gullibility seriously believe that the 'investigating' authorities would have left alone a clear, facially-identifiable image of Mr. Oswald standing in the doorway?

(Note: It may even be that the reason a fake shadow was added to Mr. Lovelady's right arm was to hide the very fact that he wasn't holding anything-----------telltale discontinuity with Reddish Shirt Man in Hughes, whom they wanted folks to believe was Mr. Lovelady.)

 

[Alan Ford]

Apropos!

Let's imagine that there were a way, logistically, of making the Mr. Lovelady who appears in Bell/Wiegman/Altgens be Reddish Shirt Man in Hughes. (There isn't such a way, but let's forget that for a moment).

Now let's re-remember it!

Green arrow: the object being waved (whatever/wherever it is!)
Yellow arrow: Reddish Shirt Man, in the same place as we saw him just an instant ago in Hughes



You cannot--------------in the time it takes for the limousine to travel half its own length---------------find a real-world way to make Reddish Shirt Man into this guy we see in Bell returning from a rightwards lean to a normal erect posture at a spot where the left side of his body is at least as far east as Ms. Reese's right elbow:



No way, no how

 

[Alan Ford]

You cannot--------------in the time it takes for the limousine to travel half its own length---------------

Well! It's even worse than that...............

The synced Towner/Bell clip ends with the frame below. Note where the limousine flag is; note that Reddish Shirt Man has NOT moved from his position behind the black man by the white west column:



I've viewed the Bell footage on The Lost Tapes, and guess what? It shows that these Bell frames---------------



-----------------do NOT in fact offer the first glimpse of Mr. Lovelady's red shirt. That comes even earlier. Note where the front of the limousine is in these two frames from The Lost Tapes:




We are talking a fraction of a second for Reddish Shirt Man to move over to the Lovelady position. Here's the distance the limousine covers in that time:



But it's even worse than THAT. The fraction of a second required for the limousine to travel those few feet is shortened FURTHER when we watch the full, digitally restored Towner doorway sequence from The Lost Bullet, as posted by the excellent Mr. Robin Unger over at the Education Forum. It goes several frames further on than the synced Towner/Bell clip posted above. And the figure (a.k.a. Reddish Shirt Man) standing behind the black man by the white west column (and partially obscured by the flapping object) has not budged. He can still be seen in the selfsame position at the end of the sequence:



Not even a super-high-speed westwards kangaroo hop across the fourth step could bring Reddish Shirt Man over to the Lovelady spot in time.

Mr. Lovelady simply cannot be Reddish Shirt Man.