LOL, you've shown us how beautifully things would 'align' if Mr. Bell were standing here!
What perspective changes to the plane of the building's facade are that different from how it appears in Bell?
I am a BIG fan of Mr. Hackerott's work, but I'm afraid his reconstruction of Mr. Bell's POV and the doorway scene is off in some key respects, e.g.
Your comparison picture is a different scale than that of the still from Hackerott's 3D. How do we know that's Maddie's elbow? You once labelled a "head" what was the end of an elbow.
We'll work it out, however, and when we've done so you will be just as embarrassed by this catastrophically bad Mittonesque 'analysis'-------------
Well. Get started. BTW, what graphic by Mytton do you think is wrong?
------------as you now are by your hilarious claim that Redshirt Man in Bell is a black man wearing a brown cardigan over a blue shirt.
Who posted this color for "Red Shirt" while claiming the figure was far removed from where Lovelady stood?
I didn't think anyone's photo-interpretation "skills" were as bad as Paul Ernst's, and the thread had been going for some years, so I figured your claims had some foundation. I then inquired about Lewis, expecting a polite answer. (
Link )
But by all means, Mr. Organ, keep lecturing me about 'poor photo-interpretation skills'---------your lack of self-awareness is always most entertaining!
Says the guy who couldn't figure out where the features on the doorway were in the Bell film and, from that, where "Red Shirt" was for over two years on this thread. (
Link )
It seems clear to me that "Red Shirt" in Bell is simply Lovelady leaning or shifting to his right a small amount compared to his position in the Hughes film. The figure you claimed was "Oswald drinking a Coke" is Lovelady. No one saw Oswald on the steps.