Then went outside to watch P. parade ( Parts 1 & 2 )

[Alan Ford]

So far the Red Shirt Man =Oswald  theory seems to be plausible.

No one has demonstrated  (yet) that a red shirt with such large black square grid pattern as Loveladys shirt , can appear seemingly so solid reddish brown as in Hughes film.

Which theme throws up a simpler explanation than the one I offered a few pages back for why the fake shadow in Wiegman had to start with Mr. Lovelady's right side rather than just with Mr. Oswald/PrayerMAN---------------the undoctored frames showed with painful clarity the pattern of Mr. Lovelady's shirt:



 

[Alan Ford]

I’m going along with the theory so far because it does look like a bottle in the hand of Red Shirt Man (imo) in that enlarged GIF Mr.Ford posted from Hughes film.

That's just a delightful bonus, Mr. Mason----------------the PROOF that this is Mr. Oswald lies in the cross-referencing of Hughes-Bell-Towner, and the relating of this to Wiegman.

 

[Alan Ford]

PrayerWOMAN's head is the brighter section behind/above Mr. Oswald/PrayerMAN's head:



 

[Alan Ford]

Friends, this already monster thread has just played host to an historic breakthrough in the case: the exoneration of Mr. Lee Harvey Oswald as sixth-floor shooter. The Warren Gullibles are huddled down in the basement of their razed compound, telling each other to play it cool and act like nothing's happened, and maintaining sanity by comparing notes appreciatively on some of their recent crucial work ('I've done a computer model of Oswald's shoelaces'; 'Wanna read my takedown of that factoid in JFK?'; 'Here's my piece on UFOlogy kooks and how they prove Oswald's guilt').

To those rational folks just tuning in, and having far too much of a life to entertain the idea of wading through 273 pages of posts, might I suggest that you make yourself a strong coffee and start on Page 251, Reply #2007---------------that's the moment the first bulldozer arrived!

 

[Alan Ford]

Bell is the gift that keeps on giving-------------------------

It actually shows us a glimpse of Mr. Lovelady's head, as well as the fact that, as the limousine is passing in front of the building, he stops leaning west (which he has been doing to see past Ms. Ruth Dean [in blue] in front of him) and goes back to standing normally.

Look very closely-----------and start with the movement of Mr. Lovelady's left hand:



 

[Alan Ford]

Now look at Towner at the exact same time (thanks to the expert sync-up by Mr. Davidson!):



We see Ms. Ruth Dean in blue, just where we'd expect to see her: just east of the center rail.

But of Mr. Lovelady's head, red shirt, white tshirt-------------which we know from the simultaneous Bell to be in full sunlight just west/behind/above her



--------------we are shown NOTHING. He has been completely blacked out.

Why? Those who blacked him out figured that no one would buy the ridiculous idea that Mr. Lovelady suddenly teleported himself up, back and across from 'his' Hughes position (on the fourth step up, far west and right behind the black man on the second step) to his Towner position in just a couple of seconds. Much better to pretend that he only moved up, back and across in the more generous allowance of seconds offered between Towner and Altgens.

Therefore: Mr. Oswald (albeit a decapitated Mr. Oswald) is left in in Towner, to deputize for the blacked-out Mr. Lovelady:



 

[Alan Ford]

But of Mr. Lovelady's head, red shirt, white tshirt-------------which we know from the simultaneous Bell to be in full sunlight just west/behind/above her



--------------we are shown NOTHING. He has been completely blacked out.

Unless!



Is Mr. Lovelady craning his neck to see Pres. & Mrs. Kennedy??



And then he returns to his normal standing posture as the limousine draws right in front of him (i.e. Ms. Ruth Dean's hat is no longer blocking his way)