Please explain to this Forum the ground breaking, "Shadow DNA" that somehow ties images together that were captured at different points in time. You realize that you are now tying yourself to the Nutty Professor?
James just used an unusual analogy, Storing, and it wasn't meant to be taken literally.
Get over it.
The fact remains that he has shown how the recognizably same shadows were falling on your 1958 Pontiac Bonneville "Getaway Car" when it was filmed in the gap between the "Purse Lady" and "Fedora Man" in Wiegman as were (still) falling on it in Hughes.
D'oh!