How Did Bart Kamp Create The Lovelady Image?

[Brian Doyle]

The man marked "Lovelady" is Molina...

The best resolution enlargements show Molina's bald pate on this man...

Molina's testimony said he wandered over from his position on the east side of the top platform towards the west side after the shots and then exited down the steps on his way to the Knoll...

Lovelady is fast walking up to the Knoll on the extension at the time of this image...

The woman marked "Hicks" might be Carol Reed...

[Royell Storing]

The man marked "Lovelady" is Molina...

The best resolution enlargements show Molina's bald pate on this man...

Molina's testimony said he wandered over from his position on the east side of the top platform towards the west side after the shots and then exited down the steps on his way to the Knoll...

Lovelady is fast walking up to the Knoll on the extension at the time of this image...

   Disagree. Above is very close to where Lovelady was standing on Altgens 6. Also, I believe there are images of Molina being loaded into a DPD Cop Car. Molina looks nothing like the Lovelady figure above.

[Brian Doyle]

High Tech enhancement of the 6th Floor Museum's 1st generation copy of Darnell will clearly reveal the man is Molina...

We know this is true because Lovelady is fast walking up the Elm St extension at this time...

The man marked Shelley in this image obviously has too thick a body shape to be the tall and thin Shelley...Besides, we know Shelley is fast walking up the extension at this time...

[Dan O'meara]

The man marked "Lovelady" is Molina...

The best resolution enlargements show Molina's bald pate on this man...

Lovelady also has a bald head.
I assume you agree that the woman this man is talking to is Gloria Calvery. If that is the case your identification is clearly in error.
Molina states that he interacted with Gloria and her companion inside the lobby.
Lovelady states he interacted with Gloria while he was still on the steps.
Frazier also recalls a lady, who can only be Gloria, coming up to the steps and telling everyone about the shooting in a distraught manner.
This is what we are seeing here.

You've also skipped over this part of my post:


So many researchers have swallowed down the 'sharpened' image supposedly identifying Shelley and Lovelady on the Elm Street Extension approximately 20-25 seconds after the shooting.
What these researchers reach for is the WC testimonies of these men in which they state they wandered along the extension after the shooting.
However, what these same researchers are willing to ignore in the same testimonies boggles the mind:

Both men state they remained on the steps after the shooting until Gloria Calvery came up to the steps.
Both men testified that it was at least 3 minutes until Gloria came running up.
Both men testified that they only left the steps after listening to Gloria talk about the shooting.
Both men testified that they then moved out to the "little old island" after interacting with Gloria.
Both men testified that it was AFTER they left the steps that they turned around and saw Truly and Baker still outside the building.

The WC testimony of both men is a tissue of easily disprovable lies. Lies disproven by the Darnell/Couch footage. Disproven by the Truly/Baker time trials. Disproven by the testimony of Victoria Adams who saw both men on the first floor approximately 60 seconds after the shooting. Disproven by their own same-day affidavits, which make no mention of this fictitious trip along the extension.


How do you reconcile the WC testimonies of Shelley and Lovelady with this image?
Also, the man in the image is not wearing the pure white shirt of Molina.




PS: I identify the woman in white as Hicks because I have a vague memory that a researcher talked to Carol Reed who said she had no memory of accompanying Gloria back to the steps. I also have the vague memory that researcher was you.

[Brian Doyle]

Lovelady also has a bald head.

You're bucking against reality because the man fast-walking up the extension is provably Lovelady because of the unmistakable plaid pattern seen on his shirt...The only other alternative then becomes Molina...Not only can you see the shape of Molina's head on this man, in the best resolution copies, but you can also see Molina's distinct bald pattern that is different than Lovelady's...This man who is facing Calvery is in the exact position Molina said he was in when he said he walked across the top platform from the east side to the west and then went down the front steps...

I assume you agree that the woman this man is talking to is Gloria Calvery. If that is the case your identification is clearly in error.
Molina states that he interacted with Gloria and her companion inside the lobby.
Lovelady states he interacted with Gloria while he was still on the steps.
Frazier also recalls a lady, who can only be Gloria, coming up to the steps and telling everyone about the shooting in a distraught manner.
This is what we are seeing here.

Molina did interact with Calvery and the other woman in the Lobby when he returned...The fact he interacted with them in the Lobby when he returned does not preclude him from being the man facing Calvery in Darnell...

Frazier said Lovelady & Shelley spoke to Calvery at the base of the steps before they took off up the extension...The Couch/Darnell clip shows the period after this exchange while Lovelady & Shelley have already taken off up the extension...Calvery telling Lovelady & Shelley that Kennedy had been shot at the Knoll is what caused the pair to want to run up there and check it out...

PS: I identify the woman in white as Hicks because I have a vague memory that a researcher talked to Carol Reed who said she had no memory of accompanying Gloria back to the steps. I also have the vague memory that researcher was you.

The reason I assumed it was Reed is because she told me that all she remembered was panicking and running back to the Depository...Reed told me she remembers being in such a panicked state that she had to hurdle over motorcade spectators who had laid down on the ground trying to avoid bullets...Logic makes me assume the woman in all white next to Calvery is Reed simply because of that panic getting her there ahead of Hicks, who is probably the woman in the white blouse and black skirt who followed-up Calvery and Reed from their position in the spectators...

Because of a certain martinet moderator on The EF, because this exclusive interview with Reed came from me, it was met with wicked disinterest...The idea is that anything that comes from me, no matter how significant and unprecedented, is to be wickedly ignored with intent and denied...A purposeful destruction of the source no matter how important the content...A violation of commonly understood research standards as a preferred organized method...Anti-intellectualism in its most satanically directed form...Banning on that forum is a call to the mob for personal destruction of that researcher and his research...Savages pretending to be gentlemen...

[Royell Storing]

High Tech enhancement of the 6th Floor Museum's 1st generation copy of Darnell will clearly reveal the man is Molina...

We know this is true because Lovelady is fast walking up the Elm St extension at this time...

The man marked Shelley in this image obviously has too thick a body shape to be the tall and thin Shelley...Besides, we know Shelley is fast walking up the extension at this time...

   The very clear images of Molina being loaded into a DPD Cop Car reveal he bears NO Resemblance to this figure on the TSBD Steps. Molina has slicked back Black Hair. The guy standing on the TSBD Steps has a forehead extending well back onto the top of his head. He's 1/2 Bald. 

[Royell Storing]

Lovelady also has a bald head.
I assume you agree that the woman this man is talking to is Gloria Calvery. If that is the case your identification is clearly in error.
Molina states that he interacted with Gloria and her companion inside the lobby.
Lovelady states he interacted with Gloria while he was still on the steps.
Frazier also recalls a lady, who can only be Gloria, coming up to the steps and telling everyone about the shooting in a distraught manner.
This is what we are seeing here.

You've also skipped over this part of my post:


So many researchers have swallowed down the 'sharpened' image supposedly identifying Shelley and Lovelady on the Elm Street Extension approximately 20-25 seconds after the shooting.
What these researchers reach for is the WC testimonies of these men in which they state they wandered along the extension after the shooting.
However, what these same researchers are willing to ignore in the same testimonies boggles the mind:

Both men state they remained on the steps after the shooting until Gloria Calvery came up to the steps.
Both men testified that it was at least 3 minutes until Gloria came running up.
Both men testified that they only left the steps after listening to Gloria talk about the shooting.
Both men testified that they then moved out to the "little old island" after interacting with Gloria.
Both men testified that it was AFTER they left the steps that they turned around and saw Truly and Baker still outside the building.

The WC testimony of both men is a tissue of easily disprovable lies. Lies disproven by the Darnell/Couch footage. Disproven by the Truly/Baker time trials. Disproven by the testimony of Victoria Adams who saw both men on the first floor approximately 60 seconds after the shooting. Disproven by their own same-day affidavits, which make no mention of this fictitious trip along the extension.


How do you reconcile the WC testimonies of Shelley and Lovelady with this image?
Also, the man in the image is not wearing the pure white shirt of Molina.




PS: I identify the woman in white as Hicks because I have a vague memory that a researcher talked to Carol Reed who said she had no memory of accompanying Gloria back to the steps. I also have the vague memory that researcher was you.

   Excellent still frame that drives your Lovelady ID home. I also believe that still frame also strengthens the other guy being Shelley.