I have asked Bart Kamp if he would care to comment on Dan's claim of fakery. If he would, I'll pass it along. When riffraff CTers like Dan start accusing CT luminaries like Bart of fakery, we have reached some sort of nadir of lunacy.
I did not get this from Bart, but I independently learned that the enhancement was done in 2011 by renowned photo researcher Gerda Dunckel, whom I'm guessing probably didn't fake it. I believe she may have started a thread here on the subject that can no longer be retrieved. I know nothing about Gerda, but 95% of the references to her use the term "renowned."
Since Dan is once again in the process of making a fool of himself, perhaps someone would like to call him "renowned" and make him feel better? You don't have to be nasty and say what he's renowned for.


Once again, you're talking utter nonsense.
The image you posted is NOT a Gerda Dunkel image.
You have been corrected on this issue THREE TIMES now.
According to Kamp - "Terry Martin visits the National Archives in Washington for me and finds a huge Couch film print in Richard E Sprague’s collection."
This is a copy of the Sprague print at the Prayer Man website:

Look at this image.
Look at how unbelievably poor it is.
It's washed out and lacks all fine detail - except for Lovelady's shirt!
In contrast, look at this far superior Couch image from "4 Days in November":

Compare it to the Sprague image.
Look at how more superior this image is. Look at how much more detail is in this image.
Yet there is no hint whatsoever of the checkered pattern in this image or the 'bald spot'.

I wish I knew more about image enhancement because I can't figure out how this far superior image shows none of the fine detail we see in the shirt in the inferior Sprague image.
How can this be?
How does that work?
Any idea's old-timer?
And, by the way, how are you getting along with your timeline?