Also, in the Hughes film where motion was seen in the sniper's window, do you guys recall if the motion observed was left/right, up/down, or just some generic motion, and if Oswald was standing at that point given widow sizes would his head have been positioned in the upper windowpane as seen from street level?
Upon viewing that digitally enhanced Hughes clip again in "The Lost Bullet," for me any movement is hard-to-impossible to discern, and it seems as though the film technician guy was noncommittal as to whether or not there was movement in the window, whereas Max Holland was certain that there was.
Try to find "JFK The Lost Bullet" on Vimeo. If you find it, start watching it at 27:47 to see what you think.