Appreciate the prompt response there, Mr. Ford, Thank You.
Not to belabour the issue any further, so just a brief follow up...
Aside from your apt explanation (Reply 46), relative to any reflection(s) captured on the camera lense off the glass entrance doors being dark, Any chance of the illuminating light from flashbulb activity in and around those steps impacting your conclusion otherwise? I'm not denying the 2nd head, just offering up what may explain it away. Again, no harm, no foul with any insights/explanation you care to offer to address the potential of flashbulb activity creating a 2nd head reflecting off the glass entrance doors.
Last thought before venturing back here on Thursday, Any chance the unnatural shadow running down Lovelady's right-side has something to do with Bill Shelley?
He is on Lovelady's left-side in Altgens, but was he on the opposite side in Wiegman? (lest we forget both film shot in tandem at different angles). Due to the close proximity of this shooting sequence at different angles, Was Shelley removed to avoid any conflict with his placement in Altgens? None of us can be on the left side or right side all at once.
We know the wrongly accused was out front with them, because no one six stories up or in the 2nd floor lunchroom had no way of knowing precisely where Bill Shelley viewed the P. Parade ( tucked way back in the inner landing at the front door entrance, completely out of view of either of those places.)
The wrongly accused knew Bill Shelley's whereabouts precisely.