Friends, let's leave aside for a moment the identity of the man in blue and focus on a different question:
What do we
see when the man in blue's arm is raised?
In that very small area, ABOVE A CERTAIN HEIGHT and WITHIN A NARROW FRAME, we see
diagonal blue (man in blue's raised sleeve) +
white (Red Shirt Man's tshirt).
The diagonal blue of the raised arm is
covering the portion of the
red of Red Shirt Man's red shirt directly behind it. Above and below, however, we see red shirt.
Could this
very small area of DIAGONAL BLUE + TSHIRT WHITE ONLY be
what these few Bell frames are actually showing? Leaves are
covering the portion of red shirt above and below, so we're ONLY seeing diagonal blue + white--------------
[
Note: For this to work, this rapidly downward movement-------------
-------------
would need to be from a branch belonging to the tree.]
Now! Could the full sequence of Bell doorway frames be showing us--------------BEFORE Mr. Lovelady rises to his feet and the UPPER leaves clear-------------
little glimpses of a portion of Mr. Oswald's red shirt that is NOT covered by the blue sleeve but is MOST OF THE TIME covered by the LOWER foliage? Look closely-----when you see what I'm talking about it, it will startle you:
Such that, when the foliage clears nicely towards the end of this sequence, we are getting a deceptive
admixture of Mr. Oswald's shirt and Mr. Lovelady's shirt:
If so, then the fact that Mr. Lovelady's little eastwards lean after he has risen to his feet COINCIDES with the clearing of the foliage only enhances the illusion that the red belongs entirely to Mr. Lovelady's shirt.
**
If anyone can offer a plausible alternative explanation for the curious fact that Mr. Lovelady
emerges from BEHIND the colors BLUE and WHITE, I'm all ears