Don't get bit.....

[Alan J. Ford]

The fact that there was no rifle fired from that SE corner window is actually very easy to prove.....There are several pieces of evidence that supports this contention.

A)   It would have been physically impossible to rest the 40 inch carcano on top of the stack of Rolling readers and declined the muzzle of the rifle down onto Elm street if a 5"9" man had been sitting on a 14 inch tall  box behind the stack of rolling readers that were stacked three feet high.  ( the liars said that here was a scar made by the rifle on the top box, and that is NOT the box on the window sill.)  A 5'9" man's shoulder would have been about the same height as the stack of Rolling Readers..... IOW.....The rifle would have been level or slightly elevated.

B) Tom Dillard took a couple of photos of the face of the TSBD ( one while the shooting was in progress, or just seconds later, and there is nobody visible in that window.

C) Howard Brennan said that he saw a 175 pound man, who was dressed in Khaki colored clothes,  STANDING and aiming a hunting rifle out of a window.  No man could have stood in the narrow space between the boxes and the wall and fired down from that half open window.... The boxes would have forced the man to be right next to the window , so he could not have aimed the rifle down onto Elm street ( he would have fired into the ledge below the window.

Response (B) is very telling, considering the filming sequence recording of Hughes (Robert),  now coupled w/Tom Dillard's photos confirming nobody visible in that window. Could the same people who created Operation Northwoods ---->

https://abcnews.go.com/US/story?id=92662&page=1

have the means, resources and power to stage a "sniper's-nest"? frame an innocent patsy? and control, quote, "LBJ's Cover-Up Committee"?

 

[John Iacoletti]

Response (B) is also a Walt Fabrication.

[Walt Cakebread]

Response (B) is also a Walt Fabrication.

Please...no snide remarks from the peanut gallery ....

[Alan J. Ford]

Mr. Cakebread, taking nothing away from your research into this five decade plus murder mystery, Mr. Iacoletti's remarks have prompted me to shift into Ronald Reagan trust but verify mode. So, will do some additional reading today on Tom Dillard and his photo filming sequence. Again, taking nothing away from you and your research, but am only doing this in the spirit of ensuring what we share, not just you, is at least validated and moving in the right direction on the side of truth, light and justice in this case.

That said, moving along now to my previous remarks about staging the "sniper's nest", when I personally think about the following exchange I wonder why Mr. Truly would be over in the Southeast window on the sixth-floor before the responding authorities happened on scene that afternoon ---->

So I went back downstairs with Chief Lumpkin.
Mr. BELIN. When you got on the sixth floor, did you happen to go over to the southeast corner of the sixth floor at about that time or not?
Mr. TRULY. No, sir; I sure didn't.
Mr. BELIN. When did you get over to the southeast corner of the sixth floor?
Mr. TRULY. That I can't answer. I don't remember when I went over there. It was sometime before I learned that they had found either the rifle or the spent shell cases


Say, again, Mr. Truly...YOU were there when? Before the authorities? Doing what, Mr. Truly?, staging a "sniper's nest"?

Mr. TRULY. That I can't answer.

Cat got your tongue, Mr. Truly?

The wrongly accused did not shoot anybody. Anybody.

[Bill Chapman]

Response (B) is very telling, considering the filming sequence recording of Hughes (Robert),  now coupled w/Tom Dillard's photos confirming nobody visible in that window. Could the same people who created Operation Northwoods ---->

https://abcnews.go.com/US/story?id=92662&page=1

have the means, resources and power to stage a "sniper's-nest"? frame an innocent patsy? and control, quote, "LBJ's Cover-Up Committee"?

'means, resources and power'

Means

1) A deranged marine-trained rifleman with a high-powered rifle
2) A tall building with a view to a kill
3) A sitting duck in a slow-moving convertible

Resources

1) $19 for the rifle
2) Free chauffeur service to location
3) 10c for a Dr Pepper Coke
4) A few bucks for Smith, Wesson... and Lee

Power

1) Mannlicher Carcano with over-penetrating FMJ ammo

[Walt Cakebread]

Mr. Cakebread, taking nothing away from your research into this five decade plus murder mystery, Mr. Iacoletti's remarks have prompted me to shift into Ronald Reagan trust but verify mode. So, will do some additional reading today on Tom Dillard and his photo filming sequence. Again, taking nothing away from you and your research, but am only doing this in the spirit of ensuring what we share, not just you, is at least validated and moving in the right direction on the side of truth, light and justice in this case.

That said, moving along now to my previous remarks about staging the "sniper's nest", when I personally think about the following exchange I wonder why Mr. Truly would be over in the Southeast window on the sixth-floor before the responding authorities happened on scene that afternoon ---->

So I went back downstairs with Chief Lumpkin.
Mr. BELIN. When you got on the sixth floor, did you happen to go over to the southeast corner of the sixth floor at about that time or not?
Mr. TRULY. No, sir; I sure didn't.
Mr. BELIN. When did you get over to the southeast corner of the sixth floor?
Mr. TRULY. That I can't answer. I don't remember when I went over there. It was sometime before I learned that they had found either the rifle or the spent shell cases


Say, again, Mr. Truly...YOU were there when? Before the authorities? Doing what, Mr. Truly?, staging a "sniper's nest"?

Mr. TRULY. That I can't answer.

Cat got your tongue, Mr. Truly?

The wrongly accused did not shoot anybody. Anybody.

will do some additional reading today on Tom Dillard and his photo filming sequence. Again, taking nothing away from you and your research, but am only doing this in the spirit of ensuring what we share,

Suit yourself...but I can save you some time by telling you that you'll find nothing that contradicts the conspirators ridiculous stance that Dillard took his photo 30 seconds after the shooting.   ( Think about that...Tom Dillard was a sports photographer with lightning like reflexes when taking action photos )
I'd suggest that you examine the photos.....The story is in the photos....  And Dillard DID NOT take his photo 30 seconds after the action.

[Gary Craig]

Mr. BALL - How many explosions did you hear?
Mr. DILLARD - I heard three - the three approximately equally spaced.
Mr. BALL - What is your best estimate of the position of your car with reference to the turn at Main and Houston when you heard the first explosion?
Mr. DILLARD - Perhaps, oh, just a few feet around the corner and it seems we had slowed a great deal. It seems that our car had slowed down so that we were moving rather slowly and perhaps just passed the turn when I heard the first explosion.
Mr. BALL - Did you hear anyone in your car say anything?
Mr. DILLARD - Well, after the third shot I know my comment was, "They killed him." I don't know why I said that but Jackson - there was some running comment about what can we do or where is it coming from and we were all looking. We had an absolutely perfect view of the School Depository from our position in an open car, and Bob Jackson said, "There's a rifle barrel up there." I said, "Where?" I had my camera ready. He said, "It's in that open window." Of course, there were several open windows and I scanned the building.
Mr. BALL - Which building?
Mr. DILLARD - The School Book Depository. And at the same time I brought my camera up and I was looking for the window. Now this was after the third shot and Jackson said, "there's the rifle barrel up there." And then he said it was the second from the top in the right hand side, and I swung t it and there was two figures below, and I just shot with one camera, 100-mm. Lens on a 35-mm. Camera which is approximately a two times daily photo twice normal lens and a wide angle on a 35-mm. Which took in a considerable portion of the building and I shot those pictures in rapid sequence with the two cameras.