Determining a Timestamp for Darnell

[Dan O'meara]

Anyone who doubts the pair are Lovelady & Shelley is just in self-deceiving denial...

The single piece of 'evidence' identifying the men as Shelley and Lovelady is the doctored image Bart Kamp "sharpened".
It is this single piece of highly questionable 'evidence' you have based your identification on.
Unfortunately, you lack the courage to admit this, which is in keeping with the way you have conducted yourself on this forum.

[Royell Storing]

The single piece of 'evidence' identifying the men as Shelley and Lovelady is the doctored image Bart Kamp "sharpened".
It is this single piece of highly questionable 'evidence' you have based your identification on.
Unfortunately, you lack the courage to admit this, which is in keeping with the way you have conducted yourself on this forum.

   I believe the Darnell still frame showing that figure standing in almost the identical position we see Lovelady standing in on Algens 6, is far more convincing than the Kamp Mickey Mouse'd image. And they never attempt to ID the other fellow walking down the Elm St Extension. Why is that? Because they can't pin a Shelley ID on him.

[Brian Doyle]

If we could get the original Couch/Darnell celluloids they would repeat Kamp's enhancement exactly and show that people who doubt the pair is Lovelady & Shelley are just time-wasting evidence vandals...

[Royell Storing]

If we could get the original Couch/Darnell celluloids they would repeat Kamp's enhancement exactly and show that people who doubt the pair is Lovelady & Shelley are just time-wasting evidence vandals...

             Cue "The Twilight Zone" theme music.

[Dan O'meara]

Disappointingly, I can't figure out the timestamp as convincingly as I would have hoped.
I was sure there was enough overlapping assassination footage to piece a timeline together but that appears not to be the case.

The frame in Bell showing the limo entering the shadow of the underpass can be timed at approximately 9 seconds after the headshot.
10 seconds later we have this frame from Bell:



Weigman has finished filming the Hesters and is in the process of standing up.
Frustratingly, the Bell film cuts here and resumes showing that Weigman has suddenly arrived near the Newmans:



At the moment I can't bridge this cut.

[Dan O'meara]

 
I posted my last REPLY expressing my disappointment at not being able to find the moment when Weigman makes his way from filming the Hesters to filming the Newmans, had a quick look at Malcom Couch's footage and instantly saw exactly what I was looking for.
The cropped still below is from Couch.
The focus is on the figure in the red circle.
This figure runs from point A to point B along the blue line.
It is Wegman running between the Hesters and the Newmans.
It takes him about 3 seconds to cover this distance.



He can be seen in the footage below starting around the 4 second mark:

[Royell Storing]

I posted my last REPLY expressing my disappointment at not being able to find the moment when Weigman makes his way from filming the Hesters to filming the Newmans, had a quick look at Malcom Couch's footage and instantly saw exactly what I was looking for.
The cropped still below is from Couch.
The focus is on the figure in the red circle.
This figure runs from point A to point B along the blue line.
It is Wegman running between the Hesters and the Newmans.
It takes him about 3 seconds to cover this distance.



He can be seen in the footage below starting around the 4 second mark:

    Where is Zapruder? The Bell Film shows Wiegman running across the stairs/directly toward Zapruder. He gets very close to Zapruder. Wiegman then hangs a (L) and runs down the knoll between the Stemmons Sign and the Newman Family. We should be able to see a trace of the lower body of Zapruder up atop the steps. We do Not. Why? Zapruder has moved during a "Time Gap" here. "Missing Time"! Maybe, Wiegman for whatever reason, Stopped up there before hanging a (L) and running down the knoll. Remember that in "Pictures Of The Pain" (1994), Wiegman said that he saw SA Lem Johns UP-The-Knoll. Maybe this time gap/lost time is when Wiegman saw SA Lem Johns up-the-knoll? Maybe Wiegman filmed SA Lem Johns during this "time gap"? SA Johns claimed that he Never left Elm St after he jumped out of the LBJ SS Car.  The FBI has always claimed that no agents were assigned a ground position inside Dealey Plaza on 11/22/63.
    The Yellow Circled Officer Hargis is also a problem. He gave WC Testimony that he ran to that little wall that runs down from Zapruder. Hargis thought a shooter had fired from atop the Triple Underpass. He wanted to get a good look at the top of the Triple Underpass while covered by the short wall. But Hargis being behind the short wall is not on any image.
     The Wiegman Film was claimed to have been shot "continuously" for 30+ years following the assassination. "Pictures Of The Pain" comes out 31 yrs after the assassination with Wiegman claiming to have seen SA Lem Johns "Up-The Knoll", and all the sudden the Wiegman Film is now claimed to NOT be filmed continuously. There is a connection.