Secret Service Agent Glen Bennett almost got it right!

[Tom Graves]

Did you happen to notice the car is turning the corner? As such, the perspective of Zapruder's camera to the car is constantly changing as the car makes the turn. Bennett is not leaning right. The backseat is moving right in relation to Zapruder's sight line. This isn't exactly rocket science.

Is that what's causing George Hickey to lean over the other side of the car in Z-150?

Centripetal (or is it centrifugal?) force?

How may Gs do you figure they're pulling?

https://assassinationresearch.com/zfilm/z150.jpg


By the way, regarding your beloved "jiggle analysis" approach, the HSCA's scientific panel concluded that, based on its "blur analysis" of the Zapruder frames, JFK and Connally were struck by one bullet at approximately Z-190.

Do you agree with the panel's conclusion, timing wise?


PS How about Z-153, Werner Von Braun?

Can you detect Bennett's lean, yet?

https://assassinationresearch.com/zfilm/z153.jpg

[John Corbett]

Is that what's causing George Hickey to lean over the other side of the car in Z-150?

I don't see him leaning so I need no explanation for it.

Centripetal (or is it centrifugal?) force?

How may Gs do you figure they're pulling?

https://assassinationresearch.com/zfilm/z150.jpg


By the way, regarding your beloved "jiggle analysis" approach, the HSCA's scientific panel concluded that, based on its "blur analysis" of the Zapruder frames, JFK and Connally were struck by one bullet at approximately Z-190.

Who cares what the HSCA concluded. They were bozos.

Do you agree with the panel's conclusion, timing wise?

Of course I don't. Why are you trying to stick me with their FUBAR conclusions.

PS How about Z-153, Werner Von Braun?

Can you detect Bennett's lean, yet?

https://assassinationresearch.com/zfilm/z153.jpg

I can detect nothing about Bennett's position from that frame. The image is too small and blurry to decipher anything about his position. You can see what you want to see.

[Tom Graves]

I can detect nothing about Secret Service Agent Glen Bennett's position from the Z-153 frame. The image is too small and blurry to decipher anything about his position.

Can you see the oblong-shaped, kinda vertically aligned flesh-colored object about the size of a football in the passenger's side back-seat of the Secret Service Follow-up car in Z-150 and Z-153?

Hint: That's Glen Bennett's face, and it's leaning much farther over to his right in Z-153 than it was in Z-150.

Why?

Because he was trying to see around Dave Powers in front of him to see if JFK was okay after Oswald's first, missing-everything, shot, at "Z-124," half-a-second before Zapruder resumed filming at Z-133.

PS Note that Secret Service Agent George Hickey, opposite Bennett in the back seat, leaned over the side of the car and looked down at the pavement (he evidently thought a firecracker had exploded there), in Z-150 and especially in Z-153.

[John Corbett]

Can you see the oblong-shaped, kinda vertically aligned flesh-colored object about the size of a football in the passenger's side back-seat of the Secret Service Follow-up car in Z-150 and Z-153?

Hint: That's Glen Bennett's face, and it's leaning much farther over to his right in Z-153 than it was in Z-150.

Why?

Because he was trying to see around Dave Powers in front of him to see if JFK was okay after Oswald's first, missing-everything, shot, at "Z-124," half-a-second before Zapruder resumed filming at Z-133.

PS Note that Secret Service Agent George Hickey, opposite Bennett in the back seat, leaned over the side of the car and looked down at the pavement (he evidently thought a firecracker had exploded there), in Z-150 and especially in Z-153.

I acknowledge that the blurry flesh colored shape is Bennett. What I don't concede is that it shows him leaning. He might be starting to lean given that it is about 1/4 second after he would have heard a shot at the Z147 mark, but I wouldn't present that as evidence he has started to react. Unless you can provide blow-ups of the pertinent frames, I don't see how you can conclude anything about his position during the sequence in question. It's all in the eye of the beholder, like those who see an image of a cop firing a rifle in the Moorman Polaroid picture.