JFK: "The Lost Bullet" Gifs and Frames

[Tom Graves]

Yes i remember that, from when the DVD first came out.

Why is Secret Service Agent Glenn Bennett leaning over to his right so far in the backseat of the follow-up car? Why is George Hickey opposite him leaning over so far and looking at the pavement? Answer: they are both reacting to the sounds and sights of Oswald's first, missing-everything, shot at hypothetical Z- 124*, half a second before Zapruder resumed filming at Z-133.

*As indicated by the 2020 analysis by Roselle and Scearce of the conscious and nearly simultaneous non-startle reactions to the gunshot by seven prime witnesses, including everyone in the limousine except the driver.

[Robin Unger]

Why is Secret Service Agent Glenn Bennett leaning over to his right so far in the backseat of the follow-up car? Why is George Hickey opposite him leaning over so far and looking at the pavement? Answer: they are both reacting to the sounds and sights of Oswald's first, missing-everything, shot at hypothetical Z- 124*, half a second before Zapruder resumed filming at Z-133.

*As indicated by the 2020 analysis by Roselle and Scearce of the conscious and nearly simultaneous non-startle reactions to the gunshot by seven prime witnesses, including everyone in the limousine except the driver.

My take has always been:
That they are reacting to a threat, as Phil Willis steps out into the street and approaches the Limo to take a photo.

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[Tom Graves]

There are lots of Artifacts in many of the "Lost Bullet" Zapruder Frames.

I highlighted a couple of them a few years ago in these two consecutive frames, I think others did too, but there are many more in this same Gif example.

Thanks Duncan!

This is a perfect montage or sequence (Z-151 Z-152 and Z-153) for pondering these questions:

1) Why is Secret Service Agent Glenn Bennett leaning over so far to his right in the backseat of the follow-up car? (Remember, he said he heard what he thought was a firecracker and that he was looking at JFK when he was hit in the upper back / lower neck.)

2) Why is George Hickey opposite him leaning over so far and looking down at the pavement? (Hint: He's not looking at Phil Willis who's stepping into the street.)

Answer: They are both reacting to the sounds and sights of Oswald's first, missing-everything, shot at hypothetical Z- 124*, half a second before Zapruder resumed filming at Z-133.

*As indicated by the 2020 analysis by Roselle and Scearce of the nearly simultaneous non-startle reactions to the sounds of the shot by seven prime witnesses, including George Hickey and everyone in the limousine except for the driver.