Interview With JFK Assassination Witness Mary Lea Williams In Dealey Plaza

Users Currently Browsing This Topic:
Jeff Goodwin, Denis Morissette, Paul Davies

Author Topic: Interview With JFK Assassination Witness Mary Lea Williams In Dealey Plaza  (Read 1616 times)

Online Tom Graves

  • Hero Member
  • *****
  • Posts: 3558
The Zapruder film is the only film capturing the JFK limo from the north side of Elm Street. No other film comes close to having the perspective of the Zapruder film. It's pointless listing all these other assassination films with respect to the JFK limo's turning onto Elm Street.

Dear Royell,

News flash:

Zapruder didn't film the limo as it was turning onto Elm Street.

He didn't resume filming -- after a 17-second pause -- until a few seconds after it had completed its turn.

-- Tom
« Last Edit: Yesterday at 09:08:20 AM by Tom Graves »

Online Robin Unger

  • Sr. Member
  • ****
  • Posts: 387
The Zapruder camera used a "Double 8mm" film format:

The film spools would be loaded and the camera would film on one side for 25ft

Then the spools had to be swaped over and the camera would film on the other side for 25ft.

When processed the film would be split and the two 8mm strips would be spliced together.


Offline John Mytton

  • Hero Member
  • *****
  • Posts: 5148
This is such a silly argument and I don't know why it needs explaining.
Zapruder had about two minutes of film to play with and obviously the main event that he wanted to capture was JFK's Limo driving past him because at the time who knows what he may have filmed, the Limo may have stopped and JFK could have shaken hands with the crowd who knows? So when Zapruder saw the motorbikes turning into Elm he started filming but when there was no Limo, he instinctively stopped filming to conserve the limited precious film, then when he was certain that the Limo was in sight, Zapruder started filming again. The critics must think that Zapruder had unlimited film but the reality is that Zapruder was well aware of his limited resources and wanted every frame to count!!


JohnM

Online Robin Unger

  • Sr. Member
  • ****
  • Posts: 387
This is such a silly argument and I don't know why it needs explaining.
Zapruder had about two minutes of film to play with and obviously the main event that he wanted to capture was JFK's Limo driving past him because at the time who knows what he may have filmed, the Limo may have stopped and JFK could have shaken hands with the crowd who knows? So when Zapruder saw the motorbikes turning into Elm he started filming but when there was no Limo, he instinctively stopped filming to conserve the limited precious film, then when he was certain that the Limo was in sight, Zapruder started filming again. The critics must think that Zapruder had unlimited film but the reality is that Zapruder was well aware of his limited resources and wanted every frame to count!!





JohnM


Exactly John.

He had approx 50ft of film (2x25ft) and was trying to preserve it for when the limo arrived.
« Last Edit: Yesterday at 11:05:54 AM by Robin Unger »

Online Robin Unger

  • Sr. Member
  • ****
  • Posts: 387
Eyewitness "Patricia Ann Donaldson" said that the Limo was in this position when she heard the first shot.






Online Robin Unger

  • Sr. Member
  • ****
  • Posts: 387
Hughes Film showing the limo turning on to Elm.


Online John Corbett

  • Hero Member
  • *****
  • Posts: 515
Eyewitness "Patricia Ann Donaldson" said that the Limo was in this position when she heard the first shot.





She's not far off. If she was correct, that means the first shot was fired before Zapruder resumed filming, which some have argued but I don't buy.
At frame Z133, the frame Zapruder resumed filming at, the limo was slightly farther down Elm St. than Donaldson thought it was when the first shot was fired.

https://assassinationresearch.com/zfilm/z133.jpg

I believe the shot was actually fired about one second later than Donahue recalled at frame Z148.

https://assassinationresearch.com/zfilm/z148.jpg