I don't think Dan is dealing in correct terms here...Dan is calling the "Four Days In November" copy the superior copy when it clearly is not...The 'Four Days In November' copy was probably transferred to video at some point and obviously suffered serious degrading in quality, yet somehow Dan gets that this obviously highly-degraded copy is "superior"...I would guess that the Sprague Collection copy is washed out by high end brightness and contrast because the photo enhancement technology of the time showed detail the best at that setting...Dan has it backwards and, although the Sprague copy is washed out badly at one level, it is actually the better copy for identifying detail, which is why it shows the finer features on Shelley and Lovelady better...
And since we now have a valid technical explanation for what we are seeing in these two examples of Couch therefore Dan has come up short in explaining exactly what problem he is having understanding that Shelley's white shirt collar and black jacket...His Duck's Bahookie hair doo and body shape...His pulling up to talk to Hicks as she ran by...As well as Lovelady's clearly-seen plaid pattern and bald spot are all freely visible in the Sprague copy and therefore confirm the pair are Lovelady & Shelley exactly where they were supposed to be fast-walking up the extension...Dan is ignoring that those two are exactly where they are supposed to be according to testimony after leaving the steps...
Dan is ignoring that those two are exactly where they are supposed to be according to testimony after leaving the steps...There's no point getting bogged down with everything that is wrong with this post but this last observation needs addressing.
Apparently it's me, ands not Brian, who is ignoring the WC testimony of Shelley and Lovelady.
Let's start with the fact that BOTH MEN testify that they didn't leave the steps for at least three minutes!!
How can they be on the extension seconds after the shooting??I would really like to hear what Brian is going to make up off the top of his head to account for this.
BOTH MEN testify that, after three minutes, Gloria comes up to the steps, tells them about the shooting after which both of them make their way across the Elm Street extension to the "little, old island" (both men use exactly the same phrase to describe the concrete spur separating the Elm Streets), where they stopped "for a minute".
So, the image of the two men walking down the extension is taken 20 - 25 seconds after the shooting.
In this short span of time, according to Brian, Gloria has made her way back to the TSBD steps, told everyone about the shooting, both men have made their way across to the little old island, hung around there for a while, then made it half way down the extension before being caught on film.
Let's do him a favour and ignore the three minutes it takes Gloria to reach the steps and the time spent on the little, old island.
Even if we ignore all the testimony that Brian seems so willing to do, is it still physically possible for the two men to be so far down the extension, after the sequence of events described, in such a short span of time?
Let's be ultra kind to Brian and make it like some mad kind of tag race being run at top speed:
1] Gloria sprints full tilt and makes it back to the steps within 15 seconds
2] She spits out a rapid-fire account of the shooting in 5 seconds
3] Shelley and Lovelady sprint across to the little old island - 3 seconds.
4] They stay there for 5 seconds
5] They then sprint to their positions on the Elm Street extension - another 3 seconds.
They still don't make it in time.
Even if we follow Brian's lead and ignore nearly every statement they made in their WC testimonies, Shelley and Lovelady still don't make it.
The reason for this is obvious - it's not Shelley and Lovelady on the Elm Street extension.
In reality, what happens is this
Shelley and Lovelady are on the steps at the time of the shooting.
Immediately after the shots Shelley runs out to the concrete spur where he encounters a distraught Gloria Calvery running the other way.
Both return to the front steps where Gloria tells everyone there about the shooting after which both Shelley and Lovelady make their way into the building through the front door.
Gloria reaches the steps in a matter seconds - not 3 minutes.
Both men do not then go across to the little, old island.
Both men do not wander along the extension.
Both men do not hang around the railroad yards.
Both men do not enter the building through the west door.
These are all lies told to hide their actual movements after the shooting.
Both men immediately enter the building and make their way towards the back of the first floor where they are seen by Vickie Adams about 60 seconds after the shooting.
Seconds later Baker and Truly arrive at the elevators where Baker notices two white men just hanging around. Clearly this is Shelley and Lovelady.
The image above shows the moment Gloria has reached the steps and is telling everyone about the shooting.
The man in front of her is Billy Lovelady.
Shelley, wearing his baggy black suit, is near the bottom of the steps after returning from the concrete spur.
Topic: How Did Bart Kamp Create The Lovelady Image? (Read 160318 times)