I did an arduous review over the weekend. There is no question. What I believe is a "getaway" car is not parked alongside the Island on the Wiegman Film.
Dear Comrade Storing,
Do you think James Hackerott improperly spliced-together the two half-second-apart Wiegman frames and/or improperly aligned the finished product with the infamous Couch-Darnell frame (which shows the front part of the car that Officer Baker ran in front of) in his overlay montage?
If so, why then does the woman standing to the right of "Fedora Man" in the Wiegman frames have a whole body, why is the pole to the right of her a straight vertical line (and why is it the exact same distance, photographically speaking, from the right side of the HUGE GATES' dark entrance), and why do the architectural features of the TSBD so closely align in the two frames?
If not, why can't you realize that the densely packed group of people mostly to the right of that woman (but also including her and "Fedora Man" and maybe someone else to the left of her) is probably hiding your MYSTO "ABANDONED" GETAWAY CAR from Wiegman's camera's view?
Have you even looked at the overlay montage by James Hackerott, yet?
Here it is.
Just scroll down to it.
https://www.jfkassassinationforum.com/index.php/topic,4597.40.htmlHint: Use your computer's mouse to place the digital "arrow" on the car that Officer Baker's running in front of in Couch-Darnell and leave it there as James' overlay montage morphs from the Couch-Darnell into the corresponding Wiegman frame that James incorporated in it just for you.
Look! The digital "arrow" is now exactly where the right terminus of that "gaggle" is!
In other words, that "gaggle of people" is perfectly situated to obscure the MYSTO "ABANDONED" GETAWAY CAR from Wiegman's camera's view!!!
And . . . gasp . . . the "gaggle" has so many people in it that it extends far enough to the left to hide the whole enchilada!!!
-- Tom