Geneva Hine

[Charles Collins]

I made a frame stack of the limo’s turn onto Elm. An enhancement of that stack shows pretty clear to me that no head was sticking out the window at that time.


The frame from the Secret Service’s reenactment film does show the beginning of the turn would be visible from her 2’nd floor window, just south of the fire escape.

Great work (as usual) James, thanks! We all know that sometimes our imaginations can influence what we think we see in some of the photos. But I do see a dark area right where Geneva Hines would need to be if she were looking out the bottom half of the window with her head stuck out. Those windows are so low that she would need to be squatted down or on her knees. I am going to place a figure there and view it from Hughes’ viewpoint on my model to see what it should look like in proportion to everything else.

[Charles Collins]

Okay, the figure in my model does appear to be only slightly larger than the dark spot in the Hughes film enhancement that James created. But there just isn’t enough detail in the enhancement to make a conclusive statement one way or another.

James, is that the limo making the turn that we see blurred in your enhancement?

[Jerry Freeman]

  OK a typing mistake...
A view actually looking east on Elm FROM THE TSBD that would have shown nothing eventful---
 

 Why are you...an obviously staunch lone assassin believer along with Smith...spending so much time and effort micro-analyzing what frame in a film the shots started and so on? When no matter what... Oswald did it and you will not yield or capitulate any argument because you...are always right.....Right?

   You misconstrued what she is saying. 

You misconscrew everything.

[Richard Smith]

 
You misconscrew everything.

So you can't even proffer any explanation as to why your fantasy conspirators would turn the power and phones off for a brief moment while the motorcade was passing.  It is just so and this somehow proves a conspiracy for some unspecified reason.  Got it.

[Charles Collins]

  OK a typing mistake...
A view actually looking east on Elm FROM THE TSBD that would have shown nothing eventful---
 

 Why are you...an obviously staunch lone assassin believer along with Smith...spending so much time and effort micro-analyzing what frame in a film the shots started and so on? When no matter what... Oswald did it and you will not yield or capitulate any argument because you...are always right.....Right?
You misconscrew everything.

A view actually looking east on Elm FROM THE TSBD that would have shown nothing eventful---

I think you must still be looking at that photo wrong. The red arrow near the upper left corner is pointing at the southeast corner of the TSBD at the sixth floor level. The street sign just below that reads Market St. (I think). The view is from the south side of Elm Street looking westerly.


Why are you...an obviously staunch lone assassin believer along with Smith...spending so much time and effort micro-analyzing what frame in a film the shots started and so on? When no matter what... Oswald did it and you will not yield or capitulate any argument because you...are always right.....Right?

The reason I am interested in evidence of when the first shot was fired is because it has been somewhat of a mystery for over 58-years as of now. There are people who argue about the timing and sequence of the shots constantly. I happen to believe there is significant evidence of the first shot occurring around the Z133 time frame. So, when I discover new (to me) evidence that suggests the Z133 time frame is correct, I try to make sure that evidence is correct. Thanks for responding and putting us through these excercises. And, heck no, I am not always right.   

[Jerry Freeman]

I think you must still be looking at that photo wrong. 

And I think you know what I mean.

[James Hackerott]

Okay, the figure in my model does appear to be only slightly larger than the dark spot in the Hughes film enhancement that James created. But there just isn’t enough detail in the enhancement to make a conclusive statement one way or another.

James, is that the limo making the turn that we see blurred in your enhancement?

Yes Charles. This frame stack used 66 consecutive frames (which included at about half duplicate frames) that were registered to the fixed TSBD. Any objects that moved in these frames would be blurred – just like a time exposure. My goal was to try and bring out details in the shadowed east face which I did to some extent.