Recent Posts

Recent Posts

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31
Dear Sonderführer Storing,

Who's to say John Joe was correct?

-- Tom

PS You have a serious gaslighting issue.

  Challenging SA Howlett is fair game. "Forgetting" all about him is an issue.
32
I guess you're saying that the light-colored car on the other side of Elm Street Extension in Barber's photo is not the same light-colored car on the other side of Elm Street Extension that has visually merged with the rear part of Storing's "Abandoned Getaway Car" in the Wiegman film.

Question: Can the light-colored car on the other side of Elm Street Extension that "merges" with Storing's "Abandoned Getaway Car" in the Wiegman film be seen in any other photo or film that was shot (pardon the pun) that day?

   There is NO "abandoned getaway car" in the Wiegman Film. The "getaway" car has Not arrived when Wiegman filmed the Island.
33
You need to watch "The Lost Bullet" for a 6th time. You've forgotten all about SA Howlett's soup-to-nuts demonstration of the 3 shots. Get yourself a small journal and make JFK Assassination Notations. You have a serious retention issue.

Dear Sonderführer Storing,

Who's to say John Joe was correct?

-- Tom

PS You have a serious gaslighting issue.
34
It doesn't get more silly than this, folks: Royell Storing taking us into the paranoid mind of his imaginary fake Dealey Plaza motorcycle cop in disguise! Wow.

   If you go back to when we 1st see this "No Glove Cop" on the Darnell Film, he is directly BEHIND Officer Roger Craig and Officer Buddy Walthers. He then parallels  Craig and Walthers for the entire length of the train cars. They stop, he stops. They move, he moves. Once "No Glove Cop" was at the dirt road leading down to the Elm St Ext, he was forced to move downward. So, he put his head down and quickly moved passed Officer Harkness. The question is who is this alleged DPD Motocycle Cop? I have conclusively proven it is Not Officer Haygood. The new Darnell Film snippet further proves what we are seeing is happening AFTER 12:35. 12:35 is when Officer Haygood made his documented radio transmission from his motorcycle at the Elm St curb near the Triple Underpass.   
35

The un-cropped image Steve Barber posted shows (from that angle) that vehicle to be essentially under the sixth set of windows from the southeast corner of the TSBD. The Weigman film frame shows another vehicle that appears to be essentially inline (from Weigman’s angle) with the western edge of the opening for the large gates. Here’s a rough sketch showing the two lines of sights and the respective locations of the two vehicles. The black dashed line and black crosshatched rectangle represent the line of sight and vehicle of the image Steve Barber posted. The blue dashed line and blue crosshatched rectangle represent Weigman’s line of sight and that vehicle.


I guess you're saying that the light-colored car on the other side of Elm Street Extension in Barber's photo is not the same light-colored car on the other side of Elm Street Extension that has visually merged with the rear part of Storing's "Abandoned Getaway Car" in the Wiegman film.

Question: Can the light-colored car on the other side of Elm Street Extension that "merges" with Storing's "Abandoned Getaway Car" in the Wiegman film be seen in any other photo or film that was shot (pardon the pun) that day?
36
Dear Sonderführer Storing,

That box was too far from the window for Oswald to sit on while firing his second (at approx. Z-222) and third (Z-313) shots.

He sat on it while waiting for the motorcade to appear on Houston Street.

The person wearing the white shirt (t-shirt?) in that window in the digitally enhanced Hughes film was standing as the limo was turning onto Elm Street.

Oswald was wearing a white t-shirt that day under his long-sleeved brownish-reddish shirt. He probably took that long-sleeved shirt off while he was killing JFK and used it to wipe his prints off the Carcano.

Oswald's missing-everything shot at hypothetical "Z-124," half-a-second before Zapruder resumed filming at Z-133, was sufficiently downward angled as to require him to awkwardly semi-crouch and lean forward while firing it.

Stop conflating that shot with Max Holland's theorized shot a full second earlier at hypothetical "Z-107."

-- Tom

  You need to watch "The Lost Bullet" for a 6th time. You've forgotten all about SA Howlett's soup-to-nuts demonstration of the 3 shots. Get yourself a small journal and make JFK Assassination Notations. You have a serious retention issue.
37
It doesn't get more silly than this, folks: Royell Storing taking us into the paranoid mind of his imaginary fake Dealey Plaza motorcycle cop in disguise! Wow.

He should write a book!

Oodles and gobs of fellow tinfoil-hat conspiracy theorists will buy it!

He'll become rich and famous, and The Traitorous Orange Bird (rhymes with "xxxx") will probably give him a Cabinet position!
38
Does this alleged motorcycle cop speak to or even look in the direction of either Harkness or Walthers? No how, No way. The very last thing he wants is to even make eye contact with these 2 DPD Officers.

It doesn't get more silly than this, folks: Royell Storing taking us into the paranoid mind of his imaginary fake Dealey Plaza motorcycle cop in disguise! Wow.
39
   So you wanna horse around with the sharp shooter dodge? What about the SS Agent Howlett that Max is wheeling around and even has him on the lift eyeballing the signal light support beam with him? That agent physically details the shooter standing/sitting position as well as the box he sat on leaving print(s). I don't mind helping you, but if you are going to try and get slippery with me, well, that goes to character. I don't have the time to mess around with anyone lacking in character. I search for the Whole Truth.

Dear Sonderführer Storing,

That box was too far from the window for Oswald to sit on while firing his second (at approx. Z-222) and third (Z-313) shots.

He sat on it while waiting for the motorcade to appear on Houston Street.

The person wearing the white shirt (t-shirt?) in that window in the digitally enhanced Hughes film was standing as the limo was turning onto Elm Street.

Oswald was wearing a white t-shirt that day under his long-sleeved brownish-reddish shirt. He probably took that long-sleeved shirt off while he was killing JFK and used it to wipe his prints off the Carcano.

Oswald's missing-everything shot at hypothetical "Z-124," half-a-second before Zapruder resumed filming at Z-133, was sufficiently downward angled as to require him to awkwardly semi-crouch and lean forward while firing it.

Stop conflating, if you possibly can, that shot with Max Holland's theorized shot a full second earlier at hypothetical "Z-107."

-- Tom
40


Judging by the image in which James overlaid his 3D model image with the Weigman image, fedora man does appear to be about 6” further east than he is in James’ model. That’s not enough difference to matter very much. Also, the line of sight I used for my roughly about approximate measurement is based upon the western edge of the opening for the large gates. That edge lines up with roughly about the approximate center of the gap between fedora man and purse lady. That gap is what you referenced when you claimed we are looking at the surface of the Elm Street Extension. However, again, there is roughly about approximately 24-feet of the surface of the island visible before the curb to Elm Street Extension, then beyond that curb is where the Elm Street Extension surface begins.




   Take a look at a good copy of the Towner Film. When the JFK Limo turns onto Elm St and clears the traffic signal pole, you can easily see the Hat of Fedora Man. If you drew a straight line between Towner and the traffic signal pole, that line would pierce through Fedora Man. Fedora Man is close enough to touch that traffic signal pole. I've tried to be nice about this, but that Lego Man visual aid is pure crapola.
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