Recent Posts

Recent Posts

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21
Dear Sonderführer Storing,

Rhetorical questions:

In "The Lost Bullet," did Max Holland have the Oswald stand-in sit on a box while firing any of his three shots at JFK?

Am I somehow obligated to aid you in your tinfoil-hat JFKA conspiracy theory?


If Oswald had fired his first shot later than he actually did and been sitting on a box while doing so, he would have hit his target.

But he missed everything because he was semi-crouching and awkwardly leaning forward for the sharply-downward-angled shot.

Btw, did you know that Brian Roselle found in the Secret Service's reenactment film -- which was filmed four days after the assassination -- an apparent divot in the asphalt at the closest point to JFK that a missing-everything shot fired at hypothetical "Z-124" could have caused?

-- Tom

    Whatever the issue is, I tell you everything that I know. A discussion then ensues.  You? You wanna play games with half truths, rhetorical questions , and riddles. You're wasting my time.
22
   Take a look at a good copy of the Towner Film. When the JFK Limo turns onto Elm St and clears the traffic signal pole, you can easily see the Hat of Fedora Man. If you drew a straight line between Towner and the traffic signal pole, that line would pierce through Fedora Man. Fedora Man is close enough to touch that traffic signal pole. I've tried to be nice about this, but that Lego Man visual aid is pure crapola.



The reason fedora man may be lined up with the traffic signal post in Tina Towner’s film is due to the difference in the two lines of sight in Weigman’s film frame versus Tina Towner’s line of sight. From Weigman’s line of sight there appears to be about 21-25/32” distance between fedora man and the traffic signal post. However there is roughly about 12-feet of depth-distance between fedora man and the post when viewing from a line of sight that shows the width of the island (see below image).





James Hackerott and I have worked together several times before on various exercises. His 3D model has always proven to be highly accurate. We have to improvise on the characters and various objects we place in the models. That’s why they sometimes look a little different than reality. But they serve the purpose and that’s what is important.
23
Challenging SA Howlett is fair game. "Forgetting" all about him is an issue.

Dear Sonderführer Storing,

Rhetorical question # 1: In "The Lost Bullet," did Max Holland have the Oswald stand-in sit on a box while firing any of his three shots at JFK?

Rhetorical question # 2: Am I somehow obligated to aid you in your tinfoil-hat JFKA conspiracy theory?


If Oswald had fired his first shot later than he actually did and been sitting on a box while doing so, he would have hit his target.

But he missed everything because he was semi-crouching and awkwardly leaning forward for the sharply-downward-angled shot.


By the way, did you know that Brian Roselle found in the Secret Service's reenactment film -- which was filmed four days after the assassination -- an apparent divot in the asphalt at the closest point to JFK that a missing-everything shot fired at hypothetical "Z-124" could have caused, and that in photos taken of the limo at Parkland Hospital he found a mark on that side of the limo that wasn't there earlier in the day and, therefore, may have been caused by a chunk of asphalt kicked up by the bullet?

-- Tom

24
I guess you're saying that the light-colored car on the other side of Elm Street Extension in Barber's photo is not the same light-colored car on the other side of Elm Street Extension that has visually merged with the rear part of Storing's "Abandoned Getaway Car" in the Wiegman film.

Question: Can the light-colored car on the other side of Elm Street Extension that "merges" with Storing's "Abandoned Getaway Car" in the Wiegman film be seen in any other photo or film that was shot (pardon the pun) that day?



I guess you're saying that the light-colored car on the other side of Elm Street Extension in Barber's photo is not the same light-colored car on the other side of Elm Street Extension that has visually merged with the rear part of Storing's "Abandoned Getaway Car" in the Wiegman film.

Correct it appears to me that the car in Weigman’s film is parked right behind the car in the photo Steve Barber posted.


Question: Can the light-colored car on the other side of Elm Street Extension that "merges" with Storing's "Abandoned Getaway Car" in the Wiegman film be seen in any other photo or film that was shot (pardon the pun) that day?

I am not sure. But will keep this question in mind and let you know if I find it.
25
Dear Sonderführer Storing,

Who's to say John Joe was correct?

-- Tom

PS You have a serious gaslighting issue.

  Challenging SA Howlett is fair game. "Forgetting" all about him is an issue.
26
I guess you're saying that the light-colored car on the other side of Elm Street Extension in Barber's photo is not the same light-colored car on the other side of Elm Street Extension that has visually merged with the rear part of Storing's "Abandoned Getaway Car" in the Wiegman film.

Question: Can the light-colored car on the other side of Elm Street Extension that "merges" with Storing's "Abandoned Getaway Car" in the Wiegman film be seen in any other photo or film that was shot (pardon the pun) that day?

   There is NO "abandoned getaway car" in the Wiegman Film. The "getaway" car has Not arrived when Wiegman filmed the Island.
27
You need to watch "The Lost Bullet" for a 6th time. You've forgotten all about SA Howlett's soup-to-nuts demonstration of the 3 shots. Get yourself a small journal and make JFK Assassination Notations. You have a serious retention issue.

Dear Sonderführer Storing,

Who's to say John Joe was correct?

-- Tom

PS You have a serious gaslighting issue.
28
It doesn't get more silly than this, folks: Royell Storing taking us into the paranoid mind of his imaginary fake Dealey Plaza motorcycle cop in disguise! Wow.

   If you go back to when we 1st see this "No Glove Cop" on the Darnell Film, he is directly BEHIND Officer Roger Craig and Officer Buddy Walthers. He then parallels  Craig and Walthers for the entire length of the train cars. They stop, he stops. They move, he moves. Once "No Glove Cop" was at the dirt road leading down to the Elm St Ext, he was forced to move downward. So, he put his head down and quickly moved passed Officer Harkness. The question is who is this alleged DPD Motocycle Cop? I have conclusively proven it is Not Officer Haygood. The new Darnell Film snippet further proves what we are seeing is happening AFTER 12:35. 12:35 is when Officer Haygood made his documented radio transmission from his motorcycle at the Elm St curb near the Triple Underpass.   
29

The un-cropped image Steve Barber posted shows (from that angle) that vehicle to be essentially under the sixth set of windows from the southeast corner of the TSBD. The Weigman film frame shows another vehicle that appears to be essentially inline (from Weigman’s angle) with the western edge of the opening for the large gates. Here’s a rough sketch showing the two lines of sights and the respective locations of the two vehicles. The black dashed line and black crosshatched rectangle represent the line of sight and vehicle of the image Steve Barber posted. The blue dashed line and blue crosshatched rectangle represent Weigman’s line of sight and that vehicle.


I guess you're saying that the light-colored car on the other side of Elm Street Extension in Barber's photo is not the same light-colored car on the other side of Elm Street Extension that has visually merged with the rear part of Storing's "Abandoned Getaway Car" in the Wiegman film.

Question: Can the light-colored car on the other side of Elm Street Extension that "merges" with Storing's "Abandoned Getaway Car" in the Wiegman film be seen in any other photo or film that was shot (pardon the pun) that day?
30
Dear Sonderführer Storing,

That box was too far from the window for Oswald to sit on while firing his second (at approx. Z-222) and third (Z-313) shots.

He sat on it while waiting for the motorcade to appear on Houston Street.

The person wearing the white shirt (t-shirt?) in that window in the digitally enhanced Hughes film was standing as the limo was turning onto Elm Street.

Oswald was wearing a white t-shirt that day under his long-sleeved brownish-reddish shirt. He probably took that long-sleeved shirt off while he was killing JFK and used it to wipe his prints off the Carcano.

Oswald's missing-everything shot at hypothetical "Z-124," half-a-second before Zapruder resumed filming at Z-133, was sufficiently downward angled as to require him to awkwardly semi-crouch and lean forward while firing it.

Stop conflating that shot with Max Holland's theorized shot a full second earlier at hypothetical "Z-107."

-- Tom

  You need to watch "The Lost Bullet" for a 6th time. You've forgotten all about SA Howlett's soup-to-nuts demonstration of the 3 shots. Get yourself a small journal and make JFK Assassination Notations. You have a serious retention issue.
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