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Recent Posts

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1
Yes, shadows from the Giant Live Oak tree. I think, but am not really sure I understand your description.  Look at the visual in post #5. See the image from Alyea. Look close at the “Getaway Car”. See those grayish smears all over the car? Those are shadows. Look at the Robert Hughes film where he shoots over the hood towards the TSBD doorway. The car is covered with shadow. What is a little strange about this Hughes frame is the color of the car is kinda a bluish-green. But so is Sawyers' car. Must be color response of the film in the shade. IDK.

James

Regarding the parallel, nearly horizontal and approximately two-feet-apart lines on the "lower-front part" of your "single car" (which aren't visible on the other part of your "single car"), just look at the frame in Wiegman at the (click-click) "1:47" mark where the tip of the fin on the car in front of Weigman's is touching the right foot of the woman "in white" standing about ten feet to "Fedora Man's" right, will ya?

How could shadows from an oak tree create those straight-and-parallel lines?

2
Regarding the visible part of your "single car" between "Purse Lady" and "Fedora Man" at the 1:47 mark in Weigman, why is its "lower" front part "two-tone" color-wise but the rear part monochrome, why does the "lower" front part have two parallel and nearly horizontal dark lines about two feet apart whereas the rear part doesn't, and why does the top edge of dark color of the front part taper off in the middle of your "single car" the way it does?

Shadows from the oak tree?

Yes, shadows from the Giant Live Oak tree. I think, but am not really sure I understand your description.  Look at the visual in post #5. See the image from Alyea. Look close at the “Getaway Car”. See those grayish smears all over the car? Those are shadows. Look at the Robert Hughes film where he shoots over the hood towards the TSBD doorway. The car is covered with shadow. What is a little strange about this Hughes frame is the color of the car is kinda a bluish-green. But so is Sawyers' car. Must be color response of the film in the shade. IDK.

James
3
Bill,

I like the part where you point out that fibers matching the shirt Oswald was arrested in were found in the jacket discovered under the car at the gas station, the fact that Earlene Roberts said Oswald zipped up his "short coat" when he left -- i.e., his brownish-red (or reddish-brown?) button-up long-sleeved shirt couldn't have been confused with his zip-up jacket or vice-versa -- and the fact that it makes perfect sense that Oswald, having killed Tippit a couple of minutes earlier, would jettison his jacket at or behind the gas station in an attempt to alter his appearance.

I also like the fact that witnesses' conflicting descriptions of the direction Oswald was walking before Tippit stopped him can be explained by the following scenario:

He had a still-valid bus transfer and he hoped to catch a bus to the VA Hospital (and from there a Greyhound bus to Laredo) and therefore he walked past 10th and Patton towards the bus stop on Marsalis until he came around a curve in the road and saw a County Police car parked a block away, so he turned around and started walking back towards 10th and Patton for his unexpected rendezvous with Officer Tippit.

-- Tom
4
What are you quibbling about now?

Why am I not surprised that you don't understand this?
5
You evidently do, Weidmann, otherwise you wouldn't be replying.

I'm sorry to burst your bubble I couldn't give a damn about the opinions of a nobody.
But feel free to boost your fragile ego by believing otherwise.
6
[...]

Regarding the visible part of your "single car" between "Purse Lady" and "Fedora Man" at the 1:47 mark in Weigman, why is its "lower" front part "two-tone" color-wise but the rear part monochrome, why does the "lower" front part have two parallel and nearly horizontal dark lines about two feet apart whereas the rear part doesn't, and why does the top edge of dark color of the front part taper off in the middle of your "single car" the way it does?

Shadows from the oak tree?

7
If I understand what you're saying, I agree with you that between "Purse Lady" and "Fedora Man" in Wiegman we can see that the 1958 Pontiac Bonneville is parked next to the "island."

What you don't seem to realize is that it's visually overlapping the front one-third or so of a light-colored car that's parked-the-wrong-way on the other side of Elm Street Extension in that gap between "Purse lady" and "Fedora Man," making them almost look like one car.
Thomas,
Is this something like you are seeing? How should I position the Huge Gates car? Should I put the S curb car on blocks?
https://drive.google.com/file/d/1nNl5q1QI_KXwykynuqmvp5JdlM1BreNQ/view?usp=drive_link

8
Let me mention one simple conundrum, put forward by Dale Myers and supported by Bill Brown.

In the past Bill and I have discussed that Helen Markham said in her testimony that she took her daily bus to work from the Jefferson bus stop at 1.15 PM. That may well be an estimate or a generalization, as far as I am concerned. Bill correctly pointed out that the FBI determined that the bus schedule showed arrivals of the bus at 1.12 and 1.22 (as if buses were never delayed) and that Markham thus must have taken the 1.22 bus. What Bill never did (to the best of my knowledge) is argue that Markham actually normally arrived later than 1.15 at the bus stop.

Fair enough, I suppose, but it still places Markham at the Jefferson bus stop at 1.15, when Bill thinks that Tippit was shot at around 1.14. The FBI determined that walking one block, between 10th and Jefferson took about 2,5 to 3 minutes. So, for Markham to get to the bus stop at 1.15 she would have had to pass by the 10th and Patton crossing between 1.12 and 1.13 at the latest.

Now, here's the problem; according to Dale Myers, Markham arrived at the crossing of 10th and Patton just when Tippit's patrol car passed by (at 1.12 or 1.13?). We know that Tippit was well passed [sic] the crossing when he stopped his killer. We know there was a short conversation between Tippit and the killer after which Tippit got out of the car and was shot. So, the question now becomes, what was Markham doing standing around at the crossing to watch Tippit being killed if she had to catch her bus to work? Wouldn't one expect that she would simply carry on walking in order to get to the bus stop on time?

What are you quibbling about now?
9
Do you also think that anybody is actually interested in what you think?

You evidently do, Weidmann, otherwise you wouldn't be replying.
10
I think you're full of Jim DiEugenio's pungent beans.

Do you also think that anybody is actually interested in what you think?
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