Zapruder disproves Brugionis 2-3 frame headshot claim

[Gerry Down]

Dino Brugioni claimed that he had seen a different version of the Zapruder film which included a large red mist over JFKs head, which lasted 2 to 3 frames, at the time of the fatal head shot. The Zapruder film as it stands only shows a red mist for 1 frame which is frame 313. Brugioni claimed that the version of the Zapruder film we have now shows a much shorter headshot sequence than the version he saw.

However Abraham Zapruder disproves such a claim. When Zapruder sold the rights of the  Zapruder film to LIFE magazine, he stipulated that frame 313 must never be published, a stipulation that LIFE honored. The fact that Zapruder stipulated that only 1 frame must not be published, and not 2-3 frames, is prima facia evidence that the gore of the headshot did not last longer than 1 frame. 

[Steve M. Galbraith]

Dino Brugioni claimed that he had seen a different version of the Zapruder film which included a large red mist over JFKs head, which lasted 2 to 3 frames, at the time of the fatal head shot. The Zapruder film as it stands only shows a red mist for 1 frame which is frame 313. Brugioni claimed that the version of the Zapruder film we have now shows a much shorter headshot sequence than the version he saw.

However Abraham Zapruder disproves such a claim. When Zapruder sold the rights of the  Zapruder film to LIFE magazine, he stipulated that frame 313 must never be published, a stipulation that LIFE honored. The fact that Zapruder stipulated that only 1 frame must not be published, and not 2-3 frames, is prima facia evidence that the gore of the headshot did not last longer than 1 frame.

That maybe makes sense although I think Zapruder was more upset about the Z-313 frame showing the head exploding open then the spray being shown. Perhaps both. And you can see some mist in Z-314. Or I do. I think the B&W version that Life showed doesn't show it.

Of course, there are conspiracists who say Zapruder was one of the conspirators.

The key observation for me by Brugioni was that the mist/spray that he recalls seeing came out of the TOP of or OVER JFK's head NOT the rear. No rear mist/explosion.

Here's Z-314 from Costella. Looks like mist/spray above JFK's head.

[Royell Storing]

Dino Brugioni claimed that he had seen a different version of the Zapruder film which included a large red mist over JFKs head, which lasted 2 to 3 frames, at the time of the fatal head shot. The Zapruder film as it stands only shows a red mist for 1 frame which is frame 313. Brugioni claimed that the version of the Zapruder film we have now shows a much shorter headshot sequence than the version he saw.

However Abraham Zapruder disproves such a claim. When Zapruder sold the rights of the  Zapruder film to LIFE magazine, he stipulated that frame 313 must never be published, a stipulation that LIFE honored. The fact that Zapruder stipulated that only 1 frame must not be published, and not 2-3 frames, is prima facia evidence that the gore of the headshot did not last longer than 1 frame.

    The above assumes that Zapruder and Brugioni were viewing the same film under the same conditions. Brugioni viewed the Z Film at the NPIC over the course of an entire evening/early morning. And Brugioni repeatedly examined the film "5 Ways To Sunday". He also assembled "briefing boards" using still frame images from the Z Film he turned inside-out that night. The Zapruder viewing conditions? Wham-Bam, gotta have it Now, "and remember to pay the lady/man". Also, there is a chasm between "prima facie" and "Opinion". 

[Jarrett Smith]

Dino Brugioni claimed that he had seen a different version of the Zapruder film which included a large red mist over JFKs head, which lasted 2 to 3 frames, at the time of the fatal head shot. The Zapruder film as it stands only shows a red mist for 1 frame which is frame 313. Brugioni claimed that the version of the Zapruder film we have now shows a much shorter headshot sequence than the version he saw.

However Abraham Zapruder disproves such a claim. When Zapruder sold the rights of the  Zapruder film to LIFE magazine, he stipulated that frame 313 must never be published, a stipulation that LIFE honored. The fact that Zapruder stipulated that only 1 frame must not be published, and not 2-3 frames, is prima facia evidence that the gore of the headshot did not last longer than 1 frame.

There is mist in several frames' forwards then backwards.

[Mitch Todd]

Dino Brugioni claimed that he had seen a different version of the Zapruder film which included a large red mist over JFKs head, which lasted 2 to 3 frames, at the time of the fatal head shot. The Zapruder film as it stands only shows a red mist for 1 frame which is frame 313. Brugioni claimed that the version of the Zapruder film we have now shows a much shorter headshot sequence than the version he saw.

However Abraham Zapruder disproves such a claim. When Zapruder sold the rights of the  Zapruder film to LIFE magazine, he stipulated that frame 313 must never be published, a stipulation that LIFE honored. The fact that Zapruder stipulated that only 1 frame must not be published, and not 2-3 frames, is prima facia evidence that the gore of the headshot did not last longer than 1 frame.

You can see the cloud of mist expand and dissipating in the next two or three frames after z313.

It's worth pointing out that the magenta, cyan, and yellow dyes used in color film fade over time, but do not do so at the same rate. Magenta takes longer to degrade than the other two colors. As the other dyes fade, the image becomes increasingly skewed towards magenta, which has the effect of reducing the contrast between magenta (and red and pink) areas and the rest of the photo. The cloud of spray was probably more distinctive in 1963 than it was 30 years later when the Z film was digitized, which would go a long way towards explaining why Dino's recollections do match what many researchers want to expect.

Then again, in 2013, Brugioni was a 90-year old man who'd just been shown copies of film frames that he hadn't seen for 50 years. I doubt it's wise to put so much faith in the detailed reliability of such old memories.

[Steve Barber]

There is mist in several frames' forwards then backwards.

  Between the car moving out from under the mist, and the wind gusts being up to 25 MPH, the mist isn't moving backwards because of a frontal shot.  All spray and head matter went upward, forward and down (some of it some 25 feet in front of the limousine which were later recovered by 3 separate people-Burros, Weitzman and Harper) and the mist and lighter matter went back and down. Some of which landed on the trunk lid, Bobby Hargis, B.J. Martin and Clint Hill. 

[Royell Storing]

There is mist in several frames' forwards then backwards.

 
 The violent backward reaction of Gov Connally at about Z340 is visual verification of ASAIC Kellerman's WC description of a "flurry of shells" coming into the car.

[Royell Storing]

  Between the car moving out from under the mist, and the wind gusts being up to 25 MPH, the mist isn't moving backwards because of a frontal shot.  All spray and head matter went upward, forward and down (some of it some 25 feet in front of the limousine which were later recovered by 3 separate people-Burros, Weitzman and Harper) and the mist and lighter matter went back and down. Some of which landed on the trunk lid, Bobby Hargis, B.J. Martin and Clint Hill.

   The direction of blood/brain matter spray aside, I have always had an issue with the continuous lack of speed displayed by the JFK Limo. ASAIC Kellerman described the JFK Limo acceleration as, "jumping out of the god damn street" following the kill shot. We see absolutely nothing remotely resembling that sudden acceleration immediately following the kill shot. SA Clint Hill was able to run the car down and then scale the trunk. And Jackie is also crawling around back there without being tossed around due to any sudden acceleration of the car. Backing up the SA Kellerman description, we do see the JFK Limo blowing past the Lead Car as both vehicles go under the Triple Underpass. The images we are seeing are consistently inconsistent.