Welcome, Guest. Please login or register.

Users Currently Browsing This Topic:
Dan O'meara, James Hackerott, Barry Wilton

Author Topic: How Did Bart Kamp Create The Lovelady Image?  (Read 94041 times)

Online Royell Storing

  • Hero Member
  • *****
  • Posts: 5503
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #399 on: Yesterday at 03:34:09 PM »

You have a man whose body type obviously isn't Shelley labeled Shelley...That's bad research...It shows a lack of competency I'm afraid...That man's body type is obviously too Endomorphic to be Shelley...

Shelley is the man going up the extension with Lovelady...

    You continue running away from the Lovelady Image. The still frame above shows him still standing on the TSBD steps in almost the same exact position we see him on Altgens 6. And the image above is only just over :20 seconds after the kill shot. Either grow some stones and propose changing the accepted time stamping or drop your disproven position.

JFK Assassination Forum

Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #399 on: Yesterday at 03:34:09 PM »


Online Dan O'meara

  • Hero Member
  • *****
  • Posts: 3906
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #400 on: Yesterday at 07:58:40 PM »

Front entry doesn't make sense because it doesn't line up with Adams & Styles' descent of the steps or Truly & Bakers' entry in to the First Floor...

As can be seen in Couch/Darnell, Lovelady & Shelley are headed up to the Train Yard where they went back in to the Depository through the west entry doors...

Obviously, Adams & Styles squeaked out the rear exit just before Truly & Baker ran in and were on the stairs just ahead of where Oswald needed to be in his alleged run down from the 6th Floor...It was actually Mrs Garner who was the one who should have seen and heard Oswald but didn't from her spot on the 4th Floor landing...

Obviously, Adams & Styles squeaked out the rear exit just before Truly & Baker ran in...

This is really bizarre.
I completely agree that Adams and Styles "squeaked out the rear exit" just before Truly and Baker arrived at the area near the freight elevators on the first floor.
The Dillard picture proves Adams had left her position by the fourth floor window within 15 seconds of the final shot.
She stated that before the limo had even reached the underpass she had decided to get down there.
She consistently insisted that she ran all the way down, placing her on the first floor within 60 seconds of the shot, if not sooner.

The thing I don't understand is this, Brian, and maybe you can invent something else to account for this:
When Adams hit the first floor within 60 seconds of the shooting she saw Shelley and Lovelady not far from the elevators as she raced by. She even tried to interact with them but they didn't respond.
Truly and Baker arrived at the same location seconds later where Baker reported two white men (who can only be Shelley and Lovelady) hanging around that area.
How is it possible for the two men you claim to be Shelley and Lovelady on the Elm Street extension, get to the area near the elevators on the first floor where they were observed by Adams and Baker, within 60 seconds of the shooting?
Do you even realise how you are contradicting yourself?





« Last Edit: Yesterday at 07:59:15 PM by Dan O'meara »

Online Royell Storing

  • Hero Member
  • *****
  • Posts: 5503
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #401 on: Yesterday at 09:09:35 PM »
Obviously, Adams & Styles squeaked out the rear exit just before Truly & Baker ran in...

This is really bizarre.
I completely agree that Adams and Styles "squeaked out the rear exit" just before Truly and Baker arrived at the area near the freight elevators on the first floor.
The Dillard picture proves Adams had left her position by the fourth floor window within 15 seconds of the final shot.
She stated that before the limo had even reached the underpass she had decided to get down there.
She consistently insisted that she ran all the way down, placing her on the first floor within 60 seconds of the shot, if not sooner.

The thing I don't understand is this, Brian, and maybe you can invent something else to account for this:
When Adams hit the first floor within 60 seconds of the shooting she saw Shelley and Lovelady not far from the elevators as she raced by. She even tried to interact with them but they didn't respond.
Truly and Baker arrived at the same location seconds later where Baker reported two white men (who can only be Shelley and Lovelady) hanging around that area.
How is it possible for the two men you claim to be Shelley and Lovelady on the Elm Street extension, get to the area near the elevators on the first floor where they were observed by Adams and Baker, within 60 seconds of the shooting?
Do you even realise how you are contradicting yourself?

    The Darnell/Couch film images that show Officer Baker running across the Island, have been given a time stamp of ":20 seconds after the kill shot". Do you agree with that :20 second time stamp?
    That :20 time stamp jams up Shelley and Lovelady being at the TSBD 1st floor freight elevator at Under 1:00 after the kill shot. This "under 1:00 minute" is when they allegedly were seen by Adams when she reached the TSBD 1st floor. The faster You have Adams reaching the TSBD 1st floor, you then are placing Shelley and Lovelady at that same 1st floor location even quicker. And Adams makes no mention of Shelley and Lovelady being in motion, as if Shelley and Lovelady were just arriving when she saw them. They were in position on the 1st floor when she saw them. The still frame you have posted shows Shelley being on the ground in front of the TSBD. This would be at :25 seconds after the kill shot, leaving LESS than :35 seconds for Shelley to go from the ground: (1) up through the very crowded TSBD front steps, (2) through the crowded TSBD Lobby, (3) unlocking the Closed Gate at the desk, (4) traveling across the TSBD 1st Floor, (5) arriving at the freight elevator. Again, ALL of this in Under :35 seconds. And, ALL of this is if Shelley IMMEDIATELY left his position on the still frame you posted. To me, this is far to fast for Shelley to do ALL of this largely due to his NOT being in motion on the still frame you have posted. The Shelley figure is at a Dead Stop and does Not look to be in any kind of a hurry. The same goes for Lovelady. The Tick/Tock here does does fit if you buy into the :20 seconds after the kill shot being tied to Officer Baker running across the Island. That :20 second timestamp is when the Shelley and Lovelady clock begins running. 
    This is why I continue to encourage you to do a thread on the subject of Shelley and Lovelady going through the TSBD front door. This is your very own unique idea, but it does have time stamping issues that You need to iron out.   

Online Dan O'meara

  • Hero Member
  • *****
  • Posts: 3906
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #402 on: Yesterday at 10:45:02 PM »
    The Darnell/Couch film images that show Officer Baker running across the Island, have been given a time stamp of ":20 seconds after the kill shot". Do you agree with that :20 second time stamp?
    That :20 time stamp jams up Shelley and Lovelady being at the TSBD 1st floor freight elevator at Under 1:00 after the kill shot. This "under 1:00 minute" is when they allegedly were seen by Adams when she reached the TSBD 1st floor. The faster You have Adams reaching the TSBD 1st floor, you then are placing Shelley and Lovelady at that same 1st floor location even quicker. And Adams makes no mention of Shelley and Lovelady being in motion, as if Shelley and Lovelady were just arriving when she saw them. They were in position on the 1st floor when she saw them. The still frame you have posted shows Shelley being on the ground in front of the TSBD. This would be at :25 seconds after the kill shot, leaving LESS than :35 seconds for Shelley to go from the ground: (1) up through the very crowded TSBD front steps, (2) through the crowded TSBD Lobby, (3) unlocking the Closed Gate at the desk, (4) traveling across the TSBD 1st Floor, (5) arriving at the freight elevator. Again, ALL of this in Under :35 seconds. And, ALL of this is if Shelley IMMEDIATELY left his position on the still frame you posted. To me, this is far to fast for Shelley to do ALL of this largely due to his NOT being in motion on the still frame you have posted. The Shelley figure is at a Dead Stop and does Not look to be in any kind of a hurry. The same goes for Lovelady. The Tick/Tock here does does fit if you buy into the :20 seconds after the kill shot being tied to Officer Baker running across the Island. That :20 second timestamp is when the Shelley and Lovelady clock begins running. 
    This is why I continue to encourage you to do a thread on the subject of Shelley and Lovelady going through the TSBD front door. This is your very own unique idea, but it does have time stamping issues that You need to iron out.

Let's do something very few people ever think to actually do - let's take the WC testimony of Vicki Adams at face value.
She comes across as an intelligent and articulate woman in the transcript of her testimony, which is confirmed by the "lost Interview" she did with Mark Lane and someone else, where we hear Vicki in her own words (and she again confirms she did inded see Shelley and Lovelady as she raced out of the building).

Mr. BELIN - How long do you think it took you. to get from the window to the bottom of the stairs on the first floor?
Miss ADAMS - I would say no longer than a minute at the most.


Mr. BELIN - When you got to the bottom of the first floor, did you see anyone there as you entered the first floor from the stairway?
Miss ADAMS - Yes, sir.
Mr. BELIN - Who did you see?
Miss ADAMS - Mr. Bill Shelley and Billy Lovelady.


She is saying it took her no longer than 60 seconds to get to the first floor (this seems to be a maximum estimation) and when she got there she saw Shelley and Lovelady.
How did Shelley and Lovelady get there within that time?
Remember, even if it's just as a thought experiment, that we are taking Adams' testimony at face value - how did Shelley and Lovelady get there within that time?

Online Tommy Shanks

  • Sr. Member
  • ****
  • Posts: 273
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #403 on: Yesterday at 11:14:41 PM »
How did Shelley and Lovelady get there within that time, you ask? By walking back into the building from the front steps where they were watching the motorcade?

Online Dan O'meara

  • Hero Member
  • *****
  • Posts: 3906
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #404 on: Yesterday at 11:31:54 PM »
How did Shelley and Lovelady get there within that time, you ask? By walking back into the building from the front steps where they were watching the motorcade?

How obvious is that!
They walked from the front steps, through the lobby, and towards the back of the first floor.
A distance of approximately 80 feet.
Strolling along at 3mph for 20 seconds covers 88 feet.

So, let's reverse engineer that.

Time after shots
 (seconds)

      60          Adams hits first floor where she sees Shelley and Lovelady as she races to the back door.
      40          Shelley and Lovelady enter front lobby door
      25          In Darnell we see Lovelady on the steps and Shelley stood at the bottom of the steps

That leaves Shelley and Lovelady 15 seconds to get from their positions in Darnell to the front door of the building.
There is plenty of time for Shelley and Lovelady to make it to the location Adams saw them within 60 seconds of the shooting.
However, how can those who have mistakenly identified Shelley and Lovelady as the men on the extension make this work?
« Last Edit: Yesterday at 11:33:52 PM by Dan O'meara »

Offline Lance Payette

  • Hero Member
  • *****
  • Posts: 1704
Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #405 on: Today at 12:45:13 AM »
While one is always entitled to engage in thought experiments, a thought experiment taking Vicki Adams' story at face value seems a stretch to me in light of the fact that Sandra Styles, her companion, always said she thought Vicki's time estimate was at least somewhat off and, more importantly, was adamant that Shelley and Lovelady were not there. Occam (or Ockham, if you prefer) tells me a more plausible thought experiment has Vicki conflating her and Styles' trip down the stairs with a slightly later encounter by her with Shelley and Lovelady when they reentered the TSBD. But, hey, that's just my and Occam's little thought experiment.

Bart Kamp summarizes what Styles repeatedly told Barry Ernest here: http://www.prayer-man.com/tsbd/sandra-styles/. Sean Murphy also followed up with her after Ernest's book came out. I also found a long discussion at Greg Parker's forum where the sentiment seemed to be that the "Shelley and Lovelady" question and answer had been fiendishly inserted into Vicki's actual WC testimony precisely to make it seem that she and Styles must have left the fourth floor window later than she thiought. Greg seemed to find this unlikely, and my thought experiment doesn't require any such shenanigans by the WC; in mine, the two cuties can have come down the stairs however quickly you like, with Vicki simply being a bit off as to when she saw Shelley and Lovelady.

(Lots of Sandra Styles' stuff for sale on eBay. Don't miss your chance: https://www.ebay.com/itm/175838680679. I may have got burnt on $1200 worth of Bogus Imposter Haygood autographs, but this Styles stuff is the real deal.)

JFK Assassination Forum

Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #405 on: Today at 12:45:13 AM »