How Did Bart Kamp Create The Lovelady Image?

[Royell Storing]

How did Kamp get such amazing detail from such a degraded image?
Why can't this level of detail be recreated from a superior image?
You have swallowed down his identification of 'Lovelady' wholesale, without even bothering to contemplate these questions.
Even though you are now aware of this issue you still swallow it down.
You're so critical of Royell, but what does that make you? Gullible? Lazy?

Here's a thought for you to mull over - it is impossible to to get greater detail from the inferior image. Have a little think about this FACT.
So, the question remains, still unanswered - How did Bart Kamp create the Lovelady image?

PS: that you think this question doesn't need answering because Kamp is such an amazing researcher speaks volumes about your approach to uncovering the truth.

   Some lonely people have "idols". Sometimes to the extent of being a "crush". Payette thinks he was emailing with Kamp. It was probably more like he got in touch with a "poser" inna basement, onna keyboard, that was laughing his arse off. This is exactly why old people get fleeced. They take Everything at face value. This includes this claimed "Lovelady Image". You have asked a very simple question regarding a JFK Assassination Image. There is nothing wrong with that. What is wrong, is that the guy attacking you is probably sitting on a deed to the Brooklyn Bridge as his retirement "nest egg".

[Royell Storing]

Royell steered me to a Couch clip which is the best quality I've come across:



I cropped and blew up the two men:



There is a hint of something on the shirt in this image that may be a pattern but I wouldn't have an idea how to get it to stand out.
Maybe someone who knows what they're doing can have a go.

   BUMP with respect to Lovelady/Shelley being on the TSBD Steps on the Couch, Darnell and Altgens Images

[Lance Payette]

   Some lonely people have "idols". Sometimes to the extent of being a "crush". Payette thinks he was emailing with Kamp. It was probably more like he got in touch with a "poser" inna basement, onna keyboard, that was laughing his arse off. This is exactly why old people get fleeced. They take Everything at face value. This includes this claimed "Lovelady Image". You have asked a very simple question regarding a JFK Assassination Image. There is nothing wrong with that. What is wrong, is that the guy attacking you is probably sitting on a deed to the Brooklyn Bridge as his retirement "nest egg".

Is this supposed to be witty or are you actually insane? (Well, I suppose it could be both - couldn't it?) This was not my first communication with Bart. So let's factor this new wrinkle into our conspiracy theory: Lance was actually communicating with Fake Email Bogus Imposter Kamp! Yeah, I like it. It's no more insane that EVERY SINGLE ONE of your other insane posts, so it does have that going for it. Come on, you are just effing D-E-S-P-E-R-A-T-E for attention at any price.

[Brian Doyle]

Since you can see Westbrook and Reed on the steps in the Couch/Darnell clip the timing of the clip is how long it took the two to run back to the steps, talk quickly to Lovelady & Shelley telling them the president had been shot, and then proceed up the front steps where they run face to face in to Molina (Molina not Lovelady)...I'm guessing 25 to 30 seconds...

Seeing how all the testimony ingredients are all there there is no doubt the two men who were sharpened by Kamp are very definitely Lovelady and Shelley...When I tried to tell this to Armstrong he told Hargrove I was an idiot and cut me off...I respect Armstrong but he's just stubbornly wrong on this one...

The running woman by Baker in the white blouse and black skirt is Karan Hicks who followed Westbrook and Reed to the Depository...

[Royell Storing]

Since you can see Westbrook and Reed on the steps in the Couch/Darnell clip the timing of the clip is how long it took the two to run back to the steps, talk quickly to Lovelady & Shelley telling them the president had been shot, and then proceed up the front steps where they run face to face in to Molina (Molina not Lovelady)...I'm guessing 25 to 30 seconds...

Seeing how all the testimony ingredients are there there is no doubt the two men who were sharpened by Kamp are very definitely Lovelady and Shelley...When I tried to tell this to Armstrong he told Hargrove I was an idiot and cut me off...I respect Armstrong but he's just stubbornly wrong on this one...

The running woman by Baker in the white blouse and black skirt is Karan Hicks who followed Westbrook and Reed to the Depository...

   So you are changing the elapsed time after the kill shot that we are seeing Baker approaching the front steps of the TSBD? Baker is supposed to be crossing the Island at :20 seconds after the kill shot. Your extending this time stamp, also then extends the time stamping of Officer Baker seeing something on the other side of the 2nd Floor vestibule window.

[Royell Storing]

Is this supposed to be witty or are you actually insane? (Well, I suppose it could be both - couldn't it?) This was not my first communication with Bart. So let's factor this new wrinkle into our conspiracy theory: Lance was actually communicating with Fake Email Bogus Imposter Kamp! Yeah, I like it. It's no more insane that EVERY SINGLE ONE of your other insane posts, so it does have that going for it. Come on, you are just effing D-E-S-P-E-R-A-T-E for attention at any price.

    Well let's see: (1) YOU got ripped off $1,000 with the Bogus JFK Assassination Pics, (2) YOU claimed to be "buds" with Kamp, and, (3) Above, YOU steal Rickey Henderson's 3rd person routine. That's 3. "Yer Out!"

[Brian Doyle]

For the purpose of identifying Lovelady and Shelley I guess it doesn't really matter if it is 20 seconds after the shots...I prefer a little longer because it gives Adams & Styles time to squeak out the rear exit just ahead of Truly & Baker...

Baker saw Oswald standing stationary looking out on to the 2nd Floor staircase landing...When Oswald saw a cop suddenly appear he flinched back and went in to the Lunch Room...This triggered Baker's cop pursuit instincts and he went after Oswald in to the Lunch Room...Baker could never tell the Commission he saw Oswald slack-jawed and looking out at the staircase landing because it would show he was in the 2nd Floor Lunch Room during the assassination like Hosty admitted to Nigel Turner...What caused Oswald to get up from his lunch and go to the Vestibule door window was Adams & Styles as they clattered by on the landing...The one question the Commission never asked Truly & Baker was "Do you think Oswald was in the Lunch Room the whole time?"...