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Author Topic: How Did Bart Kamp Create The Lovelady Image?  (Read 125818 times)

Online Royell Storing

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #196 on: March 24, 2026, 05:44:12 AM »
Dear Royell,

Okay, how about "hollerin'", then?

Isn't that what they do in your neck of the woods?
 
Dear Royell,

Since big and tall and red-haired (and therefore easy-to-spot) Calvery was within 10 to 12 seconds of the "island" and was bookin' it to the TSBD, Shelley and his sidekick, Lovelady, may have intercepted her in "the middle of" Elm Street Extension, itself.

Does that work for you?

-- Tom

   The above is proof of your trying "this and that" in order to make it work. That's not evidence. What you're doing is like a kid screwing around with a chemistry set and ending up with a stink bomb.

Online Tom Graves

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #197 on: March 24, 2026, 06:39:12 AM »
The above is proof of your trying "this and that" in order to make it work. That's not evidence. What you're doing is like a kid screwing around with a chemistry set and ending up with a stink bomb.

Dear Royell,

In other words, you have no rational response and all you can so is hurl insults.

You poor little "useful idiot," you.

-- Tom

Online Royell Storing

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #198 on: March 24, 2026, 03:34:52 PM »
Dear Royell,

Okay, how about "hollerin'", then?

Isn't that what they do in your neck of the woods?
 
Dear Royell,

Since big and tall and red-haired (and therefore easy-to-spot) Calvery was within 10 to 12 seconds of the "island" and was bookin' it to the TSBD, Shelley and his sidekick, Lovelady, may have intercepted her in "the middle of" Elm Street Extension, itself.

Does that work for you?

-- Tom

    The above is why You and The Nutty Professor are "2 peas inna pod". You guys are repeatedly revising your previous position(s). Just buckle down, put in the time, and do the deep-dive research. And remember to remove your Red/Cyan Glasses. 

Online John Corbett

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #199 on: March 25, 2026, 03:07:52 PM »
    Bump! This is too important to simply let pass by. Here we see Officer Baker and Lovelady right in front of the TSBD front door. And at the same time, the Couch still frame shows those 2 Guys right alongside the "getaway" car. Why? Because these 2 Guys just got out of that car and are now distancing themselves from this intended "getaway" car. Those 2 Guys are obviously Not Shelley & Lovelady. We see Lovelady is still standing in front of the TSBD at the very same time that these 2 Guys are moving away from the car. The only way these 2 Guys could be in this position 20 seconds after the Kill Shot, is if they had just got out of that car.

I can't even follow your tortured logic. In fact, I don't see any evidence of logic at all. Everything you are arguing is one assumption after another. You assume the car was a "getaway". You assume two guys just got out of that car. You assume who those two guys are. Do you ever propose anything that is based on actual evidence.

Online Royell Storing

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #200 on: March 25, 2026, 03:30:25 PM »
I can't even follow your tortured logic. In fact, I don't see any evidence of logic at all. Everything you are arguing is one assumption after another. You assume the car was a "getaway". You assume two guys just got out of that car. You assume who those two guys are. Do you ever propose anything that is based on actual evidence.

   The "theory" has always been that the 2 Guys/Silhouettes we see alongside the car on the Couch Film, was Shelley & Lovelady. As you can see, Lovelady is still in front of the TSBD front door, when these 2 Guys are walking alongside the car. Both still frames showing the 2 Guys and Lovelady on the TSBD steps, also include Officer Baker. Baker is in both still frames. This Proves these 2 still frames are happening almost simultaneously. Like building a wall, I have put together the "getaway" car one brick at a time. Some bricks bigger than others, but still 1 at a time. I have just destroyed the "theory" that the 2 Guys/Silhouettes are Shelley and Lovelady. Do you know of any 2 male eyewitnesses, that would have been able to get next to the "getaway" car only 20 seconds after the kill shot? Those 2 Guys/Silhouettes on the Couch Film still frame had to of exited the car. 

Online John Corbett

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #201 on: March 25, 2026, 04:04:27 PM »
   The "theory" has always been that the 2 Guys/Silhouettes we see alongside the car on the Couch Film, was Shelley & Lovelady. As you can see, Lovelady is still in front of the TSBD front door, when these 2 Guys are walking alongside the car. Both still frames showing the 2 Guys and Lovelady on the TSBD steps, also include Officer Baker. Baker is in both still frames. This Proves these 2 still frames are happening almost simultaneously. Like building a wall, I have put together the "getaway" car one brick at a time. Some bricks bigger than others, but still 1 at a time. I have just destroyed the "theory" that the 2 Guys/Silhouettes are Shelley and Lovelady. Do you know of any 2 male eyewitnesses, that would have been able to get next to the "getaway" car only 20 seconds after the kill shot? Those 2 Guys/Silhouettes on the Couch Film still frame had to of exited the car.

So you don't think Baker could be in the same location at two different times.

Still waiting for your proof the car was a getaway car.


Online Royell Storing

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Re: How Did Bart Kamp Create The Lovelady Image?
« Reply #202 on: March 25, 2026, 05:01:17 PM »
So you don't think Baker could be in the same location at two different times.

Still waiting for your proof the car was a getaway car.

     Baker is pictured with Lovelady. Lovelady is standing very close to the TSBD front door. At this same time, the 2 Guys are pictured standing alongside the car. This means that it is impossible for 1 of these 2 guys to be Lovelady. And the Lovelady ID on that still frame is very solid. This man not only looks like Lovelady, but that man is in almost the same position that Lovelady is in on the Altgens Photo.
    The car being a "getaway" car traces back to the Wiegman Film NOT SHOWING a car parked alongside the Island, several feet back from the corner. This means this car was traveling down the Elm St Extension as Wiegman filmed the area around the Island. The car was traveling down the Elm Ext while shots were being fired at JFK. The car parked alongside the Island inside a clearly posted, "NO PARKING At Any Time" zone. After the 2 Guys inside the car bolted, that car sat parked there for 3+ Hrs after the kill shot. This car moving down the Elm St Ext while shots were being fired, and then parking in a "NO PARKING..." zone was well planned. I believe this "getaway" car was intended for the shooting team inside the sniper's nest.