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Author Topic: Anna Luna's JFK Conspiracy Circus  (Read 2769 times)

Online Royell Storing

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #7 on: September 08, 2026, 06:08:29 PM »
It is standard practice for CTs to treat every unanswered question as an invitation to assume the answer supports the conspiracy narrative and then tell us the answer is obvious. Since they have no actual evidence of a conspiracy, it's all they can do.

    You are dodging the question. 62+ years after the assassination and the ORIGINAL Darnell and Wiegman Films remain under lock-n-key. Why?

Online Mark A. Oblazney

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #8 on: September 08, 2026, 07:06:21 PM »
because you can’t handle the truth

Online John Corbett

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #9 on: September 08, 2026, 07:22:50 PM »
    You are dodging the question. 62+ years after the assassination and the ORIGINAL Darnell and Wiegman Films remain under lock-n-key. Why?

Nobody cares.

Online Matt Brooks

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #10 on: Yesterday at 06:50:46 PM »
Because the Sixth Floor Museum owns the rights + unless we form a bogus enterprise to license the films, we can't watch them.

Online Matt Brooks

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #11 on: Yesterday at 06:51:46 PM »
I literally explained why most corporations ignore film requests in another thread but nobody listens to me, no, it's not a conspiracy to hide evidence. for the love of JFK.

Online Royell Storing

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #12 on: Yesterday at 09:09:43 PM »
Because the Sixth Floor Museum owns the rights + unless we form a bogus enterprise to license the films, we can't watch them.

                                                                                ".........owns the rights" ? 

                                                                          What specifically does that mean?

Online Matt Brooks

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Re: Anna Luna's JFK Conspiracy Circus
« Reply #13 on: Yesterday at 09:27:15 PM »
they own the films and will only give them to, say, documentary directors or people in the industry wanting to license the film.