Then went outside to watch P. parade ( Parts 1 & 2 )

[Alan Ford]

I'm doubly grateful to Mr. Jerry Organ for having posted this longer Hughes clip than the one I had been working off. Not alone does it give us an all-important glimpse of Mr. Lovelady's shirt, it also clearly shows the head of a person BEHIND Mr. Oswald over by the wall. This person is PrayerWOMAN, who is up on the landing and whom we will soon be seeing properly in Darnell. Mr. Oswald is PrayerMAN in Wiegman, with a shadow covering his entire person as fake as that which obscures Mr. Lovelady's right side. Mr. Oswald/PrayerMAN in Wiegman is standing in the same spot as Hughes shows him.

Mr. Organ can, along with Mr. John Mytton, take legitimate pride in the material contribution he has made to the definitive exoneration of Mr. Lee Harvey Oswald!

 

[Alan Ford]

I don't see another red shirt.

 

Translation: 'Damn, I wish I hadn't posted that longer Hughes GIF. I'm running out of ways to gaslight here...........'

'

[Alan Ford]

Friends, now that Mr. Lovelady has been distinguished from Mr. Oswald on the front steps, we can finally track his following of the progress of the limousine:

1. Hughes: Mr. Lovelady is on the landing or one step down: as the limousine comes onto Elm St., he momentarily leans over to his right to see around the east doorway wall. Watch the space just left of the girl on the pedestal and wait for the brief but unmistakeable appearance of Mr. Lovelady's red shirt:


[Credit for GIF: Mr. Jerry Organ]

Seeing at once that it's no good, he takes a step or two down, in time for his appearance in..................

2. Bell: Mr. Lovelady again leans over to his right, and then, as the limousine comes in front of the entranceway, straightens up again:



As the limousine proceeds down Elm St., Mr. Lovelady steps back up a step for a higher vantage point as shown in...........

3. Wiegman: Mr. Lovelady is leaning over to his left now, looking down Elm............ then he takes a step back down to the second step from landing:



Less than half a minute later..............

4. Darnell:



 

[Alan Ford]

From 29 Feb '64 FBI report:



From 19 March '64 FBI report:



Mr. Lovelady is correctly identifying himself as the man whose face is in the doorway in Altgens. But...............

-------------------on the far left side [as the viewer sees it] of the doorway?
-------------------to the far right [for a person standing in the doorway] against the wall of the entranceway?

Complete and utter nonsense, as Mr. Lovelady and FBI know full well.

But why not just state the truth: Mr. Altgens' angle and use of telephoto lens give the false impression that Mr. Lovelady is over by the west wall?
Why not just clarify that he is up on the next-to-top step, over near the center rail?
Where would be the harm in that?

Answer:

Mr. Lovelady must cover two bases at the same time:
1. Being Billy Nolan Lovelady----------------not standing over by the west wall
2. Being Lee Harvey Oswald---------------standing over by the west wall

 

[Alan Ford]

Friends, the Warren Gullibles are completely checkmated by the analysis I have laid out in the foregoing pages. The pathetic attempts at gaslighting from Mr. Jerry Organ
--------------Blue is white/white is blue..........
--------------Redshirt Man in Bell is Lewis/Redshirt Man in Bell is Lovelady............
--------------Hackerott's 3D graphic is exceptional/Hackerott's 3D graphic is not to scale..........
--------------Let's pretend the flapping object in Towner is Lovelady's shirt
--------------The top version below (for which I deliberately used a non-relevant frame) is clearer and more useful than the bottom version (which does contain the relevant frames and which I really wish I hadn't posted):


.........etc., etc.)

only illustrate how utterly helpless these smug emeriti from the McAdams Echo Chamber are in the face of the visual evidence proving Mr. Oswald's presence on the front steps.

Don't believe me?

Here's a quck & fun way of calling their bluff and exposing their intellectual dishonesty:

Ask them to explain the shadow down Mr. Lovelady's right side in this Wiegman frame------------------



And then-------------------watch them run away in terror, every single time!

Each time they chicken out of answering this simple question, what they are telling us is that they are lost in cognitive dissonance:
a) No, I can't explain that shadow
b) Yes, that shadow can easily be explained



 

[Alan Ford]

The flapping object in the doorway in Towner just east of Messrs. Roy Edward Lewis & Lee Harvey Oswald:



This object in Bell is NOT moving in concert with the unified movement of the foliage. And its movement is much too quick.

 

[Alan Ford]

This flash is in an interesting place..................