Then went outside to watch P. parade ( Parts 1 & 2 )

[Alan Ford]

Oswald was asked if he was in the building at the time.  He responded yes.   There is no ambiguity about this.  Oswald puts himself "in the building".  Not standing outside.

What happened to "out on the street", Mr. Smith?   

Don't you think under the circumstances if Oswald had been standing outside in the presence of his coworkers - thus providing him with an airtight alibi for murder - that he would be screaming that to anyone who would listen?

Not if Captain Fritz has told him they accept that he was in the front entranceway (i.e. not the shooter) but that he is on the hook for complicity. Mr. Oswald doesn't realise the world is being told he shot Pres. Kennedy from the sixth floor. Therefore he feels no need to shout his alibi.

Of course, you have had all this explained to you 100+ times before, Mr. Smith. So either you're just playing dumb, or you're------------well, you work it out (if you can..........).

Speaking of working it out, do let us know when you feel brave enough to quit deflecting and start refuting my analysis of Hughes/Bell/Towner.

Here, I'll help you get going:

I, Richard Smith, can explain how Reddish Shirt Man in Hughes is Billy Lovelady. The explanation is as follows:............................................

Good luck! 

[Alan Ford]

Warren Gullibles right now--------------------------

[Alan Ford]

I wonder if the critics even thought that there might be some variation in color between two different camera systems and processing methods.

Lol, I'll play.

For starters: Where do you believe Mr. Lewis is standing in Bell?

 

[Alan Ford]

I wonder if the critics even thought that there might be some variation in color between two different camera systems and processing methods.

Friends, while we patiently await Mr. Organ's response as to his current understanding of Mr. Lewis' exact whereabouts at the time of Bell, let us note that he has chosen to process a Bell frame that doesn't show the white tshirt.

Now I wonder what might be the reason for this curious choice he has made?



If only the shirt under Mr. Lewis' cardigan weren't so darn................... BLUE!



 

[Alan Ford]

You really think I'm suggesting where Lewis is in the Willis Photo is where he's at in the Bell film? You can't be that thick.

Nice dodge, Mr. Organ! 

I'll ask again: where in the doorway do you believe Mr.-Lewis-in-Bell is?

[Martin Weidmann]

LOL.

So, no answer

How expected !

[Alan Ford]

Friends, it's really really strange, and most upsetting, but no matter what I do with the Willis photo, I just can't make Mr. Lewis' shirt appear.......... white.



You know, like the way it is showing up in Bell, with blue to its left and right:



If only this could be achieved, then all this mad conspiracy-kook talk about Mr. Lovelady's shirt being visible in Bell could be put to bed. I mean, we KNOW at a deep metaphysical level that this has to be Mr. Lewis in Bell, but Mr. Lewis------------heaven forgive him-------------has given grist to the kook mill by putting on the wrong darn shirt.

Now I'd dearly like to help Mr. Organ out by using the Soopah-Doopah-Sun-Analysis he has so ingeniously used in the past to magic Mr. Oswald's brown arrest shirt into the off-white shirt seen by SN witnesses, but Mr. Lewis in Willis is already in the bright sun, so it's just a really tough assignment bleaching that pesky blue of his away. Like, none of the filters or other magic tricks seem to be working...........

Why, it's enough to make a man tear out his hair!!! 

The very best I've been able to come up with is this button:



What with the nuclear blast from the sun, and the specific camera system and processing method with the Bell film, this button's unmistakeable whiteness could be blazing forth in Bell, giving kooks who don't understand camera systems and processing methods the erroneous impression that this is in fact Mr. Lovelady's white tshirt........



Yes. That must be it.