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Powell vs Dillard  (Read 39968 times)
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The two photos of the TSBD that were snapped by U.S. Army intelligence agent
James Powell ( page 449 of POTP & page 158 of TKOAP ) and Tom Dillard ( ppg 442
POTP ) should be carefully examined and compared by all serious researchers. 
Comparison of the two photos will expose one of the major lies in the cover up
of the assassination.  That lie was created by the HSCA after the Powell photo
was discovered in 1976.
Prior to the discovery of the Powell photo there was no photo to compare
against the Dillard photo, and no need to lie about the configuration of the
boxes in the so called Snipers Nest window.  But after the Powell photo
surfaced it became obvious that the boxes were configured differently between
the two photos.  So the government " photo experts" invented the story that the
Powell photo was taken AFTER the Dillard photo but someone moved the boxes in
the few seconds between the two photos…..  utterly absurd !! …… but many
gullible researchers fell for the lie, just as they had bought the single
bullet lie thirteen years earlier… 

 The photo taken by James Powell was known to the FBI early in the
"investigation" because it is mentioned in a Jan 3 1964 FBI report , but they
kept it secreted away for thirteen years, until Gary Shaw uncovered it in 1976.
 The obvious question is:  Why would the FBI keep a photo hidden if it was just
an innocuous photo of a nondescript old building?    ( Powell actually snapped
more than one photo that day but the one showing the TSBD is the only one that
has surfaced.  It would be interesting to know what the other photos show)   
The answer to that question is…. the photo revealed that there was in fact a
conspiracy to murder President Kennedy.   The details in the Powell photo
revealed that it was taken BEFORE the Dillard Photo.  The Liars of the Warren
Commission had propagated the myth that Tom Dillard had snapped his photo of
the TSBD AFTER the shooting.  When in reality Dillard being the professional
action photgrapher that he was snapped his photo DURING the shooting, and it
showed that there was NOBODY in the so called "Snipers Nest" at the time.

Since the Warren Commission had created the lie that Dillard had taken his
photo about thirty seconds after the shooting the HSCA was forced to create the
lie about when Powell had snapped his pic…  They could not admit that it was
snapped BEFORE the Dillard photo because that would raise the question ….What
was an Army Intelligence Agent (Powell ) doing taking a picture of the TSBD
before the motorcade arrived, while a rifle barrel was protruding beyond the
"S.N." window?…..   The answer to that question would throw a cloud of doubt
over the official story that  that oswald was the lone nut assassin. 
 
It is fairly easy to demonstrate that Powell snapped his picture BEFORE the
motorcade arrived, and BEFORE, Tom Dillard snapped his photo, but the egos of
some of the readers of this N.G. won't allow them to admit that they've been
duped. 



Walt




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Why would Powell take a photo of the front of the Depository building prior to the shooting?

Where do you perceive a "rifle barrel was protruding beyond the "S.N." window"?


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Why would Powell take a photo of the front of the Depository building prior to the shooting?

Where do you perceive a "rifle barrel was protruding beyond the "S.N." window"?


Can't you read??


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Nothing personal.


Certainly the other photo's on Powell's roll could indicate a more precise timing of his TSBD-image.



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Can't you read??

The points I raised aren't addressed.

What "details in the Powell photo revealed that it was taken before the Dillard Photo"?

How do you know the FBI with criminal intent kept the Powell photo "hidden"?

How did they get Dillard and Jackson to lie about Dillard getting his camera up just after the third shot and after the smirking assassin Lee Harvey Oswald had left the window?

And the government "photo experts" inventing some story? Isn't that you projecting?


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 Clearly wally the fruitcake needs to prove the timing of each photo.  I wonder if shadows can tell time in this instance.


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The points I raised aren't addressed.

What "details in the Powell photo revealed that it was taken before the Dillard Photo"?

How do you know the FBI with criminal intent kept the Powell photo "hidden"?

How did they get Dillard and Jackson to lie about Dillard getting his camera up just after the third shot and after the smirking assassin Lee Harvey Oswald had left the window?

And the government "photo experts" inventing some story? Isn't that you projecting?

How did they get Dillard and Jackson to lie about Dillard getting his camera up just after the third shot and after the smirking assassin Lee Harvey Oswald had left the window?

What I always tell news photographersis,....."For Christ's sake, when you come up on a fire or a scene, shoot a picture, the first thing you see shoot it. Then move in for close ups  Shoot the overall picture first when you get there. Start shooting from the first sight of any major news event ----SHOOT"   Tom Dillard  page 453 POTP.

Here we have Tom Dillard saying that he shoots first and asks questions later.....  But what did LBJ's Special Select Blue Ribbon Liars hand us.....   They want us to believe that the man who said ---"When you come up on a scene, for Christ's sake --SHOOT[/b.....] simply sat there in the Chevy convertible picking his nose for about thirty seconds before deciding to take a picture of the TSBD.

Tom Dillard was in the news photographer's Chevy Convertible which was half way between Main and Elm streets on Houston street at the time the shots were fired.   Dilliard and the other photog's were in perfect position to HEAR any shots that might have been fired from the upper floors of the TSBD. They also had a perfect view of the building less than two hundred feet away.

So did Dillard immediately look up toward the TSBD and shoot?.....Yes....After he heard..."Look up there, a rifle--- in that window". And he photographed the very window where LBJ's liars want us to believe that Lee Oswald was SITTING behind, but his photo shows us that there is nobody there. Dilliard did not hear shots from that window.....but he shot the photo of the empty window after someone suckered him into thinking a rifle was there.

While Dillard was focusing on an empty window....Howard Brennan was watching the man who was STANDING   behind a wide open sixth floor window and dressed in the light colored clothing with a 30 -30 Winchester unhurriedly lower the rifle  to his side and step out of sight.



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How did they get Dillard and Jackson to lie about Dillard getting his camera up just after the third shot and after the smirking assassin Lee Harvey Oswald had left the window?

What I always tell news photographersis,....."For Christ's sake, when you come up on a fire or a scene, shoot a picture, the first thing you see shoot it. Then move in for close ups  Shoot the overall picture first when you get there. Start shooting from the first sight of any major news event ----SHOOT"   Tom Dillard  page 453 POTP.

Here we have Tom Dillard saying that he shoots first and asks questions later.....  But what did LBJ's Special Select Blue Ribbon Liars hand us.....   They want us to believe that the man who said ---"When you come up on a scene, for Christ's sake --SHOOT[/b.....] simply sat there in the Chevy convertible picking his nose for about thirty seconds before deciding to take a picture of the TSBD.

Tom Dillard was in the news photographer's Chevy Convertible which was half way between Main and Elm streets on Houston street at the time the shots were fired.   Dilliard and the other photog's were in perfect position to HEAR any shots that might have been fired from the upper floors of the TSBD. They also had a perfect view of the building less than two hundred feet away.

So did Dillard immediately look up toward the TSBD and shoot?.....Yes....After he heard..."Look up there, a rifle--- in that window". And he photographed the very window where LBJ's liars want us to believe that Lee Oswald was SITTING behind, but his photo shows us that there is nobody there. Dilliard did not hear shots from that window.....but he shot the photo of the empty window after someone suckered him into thinking a rifle was there.

While Dillard was focusing on an empty window....Howard Brennan was watching the man who was STANDING   behind a wide open sixth floor window and dressed in the light colored clothing with a 30 -30 Winchester unhurriedly lower the rifle  to his side and step out of sight.


"Ten Watt" driving his cherry-picker:



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