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February 06, 2012, 11:15:35 PM
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The Nix Parking Lot Re: Rick Needham's Gif - A Second Car?  (Read 23622 times)

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I noticed this second car immediately on looking at Rick's latest gif in the JFK Bonus Materials thread.
Given the unknown then and now variables, I am still not convinced that we are not seeing the car as I have illustrated in the other thread.
I now see a second darker car near the first white colored car. The shadows coming from the car appear to be consistent with the direction of shadows cast on Nov 22nd 1963.
I have made an illustration using the last frame from Rick's animation, which to me appears to show a second car.
I'm reminded of the old saying..If it looks like a Duck, Walks like a Duck, Quacks like a Duck, Flies like a Duck, then it probably is a Duck.
In this case, we appear to have 2 Ducks, neither of them being lame.



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« Last Edit: April 18, 2009, 05:21:48 AM by Duncan MacRae »

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An opinion based on something other than fact, is an opinion based on ignorance.
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Good observation Rick about the Hughes frame. 10fjyfjfyg

Thank you my friend. :D


Martin,

Thank Robin. I found the Hughes frame in his fine photo gallery. I just enlarged the photo and brightened it up a bit. But the LOS is nearly exact  ;)


Rick


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But peace does not rest in the charters and covenants alone. It lies in the hearts and minds of all people- John F. Kennedy

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Nothing drops behind the fence. What you see as a drop is just an illusion caused by Nix's changing panning motion to the left and a lowering of his camera's lens's field of view in the panning process.
Other objects show the same illusion.


Duncan,

I think you're going some where here. It would explain something I've noticed in Nix. One of the things that Rick has constantly mentioned is the way an extended object seems to pop above the fence near the "head".  He has taken this to be a rifle in the process of being broken down and packed away(at super human speed). What Rick hasn't noticed is that a piece of the fence or branch or shadow also does the same thing at exactly the same frames as the "rifle" and it extends itself at the same angle as the "rifle".  There is obviously some type of film artifact that is producing the "rifle" and the fence tilt but yours is the first suggestion that hints at a solution. See the gif below for an illustration of the phenomenon.

I know that you're suggested a wheel well, but have you considered the possibility of a simple shadow on a tan car immediately behind the fence? Holland says there was a tan station wagon in that location, we now know according to Mack that the tops of cars are visible over the fence and the tall tree's shadow would definitely extend into that area. That would also explain the synchronicity between the movements of the "head" and the movements of branches, shadows on the front of the fence.

Best to you,
Jerry


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« Last Edit: April 20, 2009, 09:45:50 PM by Jerry Logan »

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Well Martin,

I guess we're going to just have to be disappointed in each other. I apparently don't act right.

Yes Jerry, it seems to be. I acted not right too. My attitude is usually better. ;)

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And it seems that you don't want to answer some simple questions about your work.

No Jerry. I was yesterday too tired late in the night here in europe.

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For your information I have been to Dallas. I've stood in the locations of all the well-known photographers and as of 1998 it seemed to me that it would be possible to view a distant car and its wheel well over the Nix fence.

You have an outstanding memory to remember that it would be possible to view a distant car and its wheel well over the Nix fence some 11 years ago.

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That, and the fact that I've actually worked with the Drommer Survey is what led me to ask the questions in the first place. Because it was obvious to me that you had no actual data on which to base your cad rendering.

Mhh, i assume you read not all what i told in this thread and the other i've linked.
My basis was infact the  Drommer Survey map from 1978.

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Martin, most people here have been around forums for a long time. It's really obvious when someone changes the subject because they don't want to answer uncomfortable questions.  It's OK to admit a mistake. People respect that and I've admitted my share. But hiding behind outrage at my bad attitude is transparent to nearly everyone.  Just a reminder.....

It appears to me that you have an issue to answer uncomfortable questions.
Take a look at the Greer thread. Ive found the topic and edited my previous post.

It's OK to admit mistakes. I agree. I've did that in the past here. Are you able to do the same?
I'am hiding outrage behind at your bad attitude? Sorry i don't understand. :o

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"So, do you in fact actually know any elevations in the car park or have you just assumed some?  Do you in fact actually know Nix's elevation or have you assumed it. Have you, in any way shape or form, accounted for the fact that the size of the possible wheel well would indicate that the attached car was far from the fence?

As i said in my previous posting take a look at WC E 2118. Rails are designed to be flat. I gather meanwhile images from the parking lot from 1963.
They are growing more and more.
The Nix elevation? Look at all that great images from Robin Unger (i can thank Robin not enough for that)
Yes, the maximum location was some 45-50 yards behind the fence. I told that earlier. Have you not read that shock2

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You're the person who posted a photo showing almost an entire car over a higher portion of the fence than Nix's.

What? Where? An entire car incl. a wheel? You do hopefully not mean that image from 2007 where Duncan (no offense Duncan) have seen a car wheel?

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Yet, you're "certain" that it can't be a car in Nix. Why?

Yes, i said that now very often. And also why. Should i repeat?

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And because you're such an expert and because I really want to improve my skills can you please tell me the difference between the "heads" in Rick's photo and mine.  Because I'm just too dumb to see the distinction and I really, really need your help."

You mean that enhancing that i did with your software and Rick's. Is this correct?

Well, there is no difference as you see.
The difference between Ricks software and Photoshop regarding "smooth bicubic" filter is obsolete.
I hoped you understand my joke.

Thank you

and all the best

Martin

Hello Martin,

It's late here as well.  Perhaps a lot of our problem is misunderstanding. What really seems to have upset you is the Greer head turn. Since you've been checking on my posting history you might have noticed that I stopped posting in any forums for a long time while we were discussing Greer. That is because my sister's cancer took a bad turn at that time and she passed away. So I apologize for leaving you hanging on that issue and I'd be happy to re-engage at any time. I recall that we were having a very good discussion but circumstances intervened.

Also, I think you may have misunderstood my comments about Rick's enhancements. I was not being critical of them - Rick said I mangled his work and I was just explaining what I had done to them. I didn't think mine were technically superior to his in anyway. Rick's enlargements are really, really good - my problem is that Rick is using his ability to  illustrate his point, making a case like a lawyer. So we don't get to see the other information in the film that casts doubt on his case. So he leaves out (inadvertently) the last three frames.  He plays the frames at reduced speed so the motion looks humanly possible and he doesn't enlarge all the motion on the front of the fence  so we don't notice that the shadows and branches are behaving a lot like his "gunman".  Certainly Rick is entitled to make his case but it weakens his argument when he leaves out the problem material.

Finally, there is the question of your CAD rendering. And here I do have a genuine issue with you. Because we both know that any rendering can only be accurate if the data entered is accurate. We also both know that the Drommer Survey had no elevation data for Nix and especially for the car park. So you made some assumptions about the elevations but you did not make that clear when you presented the rendering.  You offered it as based on Drommer data. And there was some Drommer data in the model (distance and fence elevation above the ground in front of the fence). But you know that the elevations in the car park are critical and there's no Drommer data for that.  So I think your presentation of the CAD rendering lent more authority to the drawing than it actually possessed.

When I visited Dallas I obviously wasn't paying attention to wheel wells. At the time the train box cars in Nix were some type of issue so I was checking out the trains from Nix's position and my view of some of the train was blocked by several automobiles so I know I wasn't looking at just roofs. It's obvious that you can't see the wheels of a car parked immediately behind the fence, but I don't see why we can't see a car at some distance and the size of the possible "wheel well" would indicate a car at some distance. Rails are designed to be flat but you may not realize that the tracks slope upward as they approach the overpass. At least when I saw it the carpark was not a pool table.

OK, done for the night.
Again, my best to you.
Jerry


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Duncan, Chris, Jerry, Robin and all.

Before we discuss this further, i like you to show the NIX frame 093 with a correct tilt.
I've stated earlier in this thread that Nix was holding the camera not straight which
is obvious to see at the lamp post. Elm slopes downwards also in reality.

Please look at it with an open mind and judge how that alleged car should have standing there on the surface.
Particular the angle. Was this alleged car lifted with a "car jack" (i don't if this word is correct) at
the front?

Thank you



Sorry, just one more thing. There appears to be numerous slopped surfaces in the car park circa 1963. Some of the parking spaces extend to the edge of the tracks and there's a slope to the tracks. Where the roadways go over the tracks they slope upward and downward as they go up and over the tracks and finally the tracks themselves slope upwards to meet the overpass. So it's not impossible for a car to appear sloped if it's resting on anyone of those surfaces.

Jerry


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Hughes is from a much lower elevation.


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What happened that day?


Im sorry to hear about your Sister Jerry

David


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As Jerry rightly points out, many exact replications of the "rifle" movement are seen.
Here's another "rifle" moving in the exact same motion, appearing out of nowhere just like the original "rifle"


All of the relevant Nix Frames slowed down for ease of viewing the the debated area.


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« Last Edit: April 21, 2009, 01:19:46 AM by Duncan MacRae »

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Hello Martin,

It's late here as well.  Perhaps a lot of our problem is misunderstanding. What really seems to have upset you is the Greer head turn. Since you've been checking on my posting history you might have noticed that I stopped posting in any forums for a long time while we were discussing Greer. That is because my sister's cancer took a bad turn at that time and she passed away. So I apologize for leaving you hanging on that issue and I'd be happy to re-engage at any time. I recall that we were having a very good discussion but circumstances intervened.


I feel very sorry to hear about your sister, Jerry. :-\
You have my heartfelt sympathy.

I answer you later in anther post because i feel uncomfortable to do here.

All the best to you

Martin



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God bless Emmett Till:
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Insipired by the Movie "Invictus" and Nelson Mandela.
What a poem!

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Hughes is from a much lower elevation.

Duncan, may i ask how do you come to that conclusion?

You see the lampost in relationship to the stairs up to the retaining wall in both, Nix and Hughes.
You see Main street in front and the men running over the street.
It appears to me Hughes was filming in the same line as Nix did before.
But a bit more backwards and higher because of the slope in this area.

When you are in contact with Gary Mack, can you propably ask him about the Hughes position
at this moment in time after the assassination?

Thank you  hat;;

Martin


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Here an interesting video of Mark Lane and S.M Holland walking into the parking lot and
talking interesting things.

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Duncan, may i ask how do you come to that conclusion?

Martin

The top edge of the sign on the lampost in relation to the fence, tells me that Nix was on a higher elevation that Hughes was.

Duncan hat;;


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« Last Edit: April 21, 2009, 03:50:19 AM by Duncan MacRae »

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Im sorry to hear about your Sister Jerry

David

Thank you David for your kind words.
My best to you,
Jerry


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