Altgens is almost in the street, here (see below), I've draw lines to him being on (by) the curb.
Z's axis is as far, as I can draw (here), towards the left-of-centre of the freeway sign, towards the tower's north-west corner.
I'm being as extreme, within parameters of logical reason; to try to address the problem.
And in doing so, I still have a massive problem; why have 45 frames separated what is obvious, HERE, from what is SEEN in the Z-frames'?
The Z-frames have been seriously altered, FROM THE FREEWAY SIGN ONWARDS, from what I'm demonstrating HERE.
Altgens-6 was wired across the world within a few hours, and then mass published. And so, is very unlikely, to have been doctored.
You should all be able to determine, from my drawing, that the limo (including configured contents) isn't where it should be according to the Z-frames.
Or, that Clapping-man isn't where he should be.
Apron-man and Clapping-man, are shown by the Z-frames, to be approximately where the tips of the two blue lines in my drawing from Z end, that is, intersecting within the curb area, to Altgens-6's far right of frame.
I'VE USED THE LANE LINE AS REFERENCE POINTS.
What's truly remarkable about Altgens-6, is the fact, that one of the World's best combat-photographers, was where he was, at that time, and had his axis, focus, aperture, exposure, and camera, lens, and film selection the way he did, and then squeezed his SLR's shutter release when he did.
QUITE POSSIBLY THE MOST IMPORTANT PHOTOGRAPH EVER TAKEN ON THIS PLANET.
