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May 22, 2012, 07:02:27 AM
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Z FILM ALTERATION REVEALED-BOMBSHELL DROPPED  (Read 11051 times)
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Hello everyone,

I'm going to reveal the key to the Zfilm timing riddle first.

Then I will follow up with supporting proof.

This way, you will start thinking (hopefully in terms of timing) about those idiosyncrasies that have bothered researchers for years, pertaining to the film.

The key to the Z film is the limo timing/position within the film itself.

It is approx. 2 seconds ahead of where it should be in relation to it's frame count.

In other words, at Z133, the limo should be approx 2 seconds closer to the corner of Houston and Elm St. Or in reality Z133 would be Z100 approx.

Part 1

chris













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PART 2.

The John Martin film turns out to be the most important film involved in breaking the riddle.

He actually captures Betzner taking his famous photo of JFK down on Elm St. with the Stemmons sign in the background.

I have red boxed him in the film.

Also, please note the two gentleman to Betzner's left and their movements in relation to Betzner.

Keep those two men in mind.

And, the location of the limo as this is occuring.

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chris








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Part 3

In the extant Z film, Betzner appears, shooting his famous photo of JFK.

When he is about to take the picture, a gentleman steps over and partially blocks his photo.

Go back and view the Martin film and compare this action with the Z film.

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chris


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PART 4

The Betzner photo.



chris


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Chris,



I'm with you so far. How do we know

if we are seeing Betzner in the Martin film

as he is taking his famous photo of JFK?

Has the limo traveled down Elm far enough

as seen in Martin for Betzner to have already

taken his photo?



Rick


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But peace does not rest in the charters and covenants alone. It lies in the hearts and minds of all people- John F. Kennedy

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Part 5

The gentleman in Z begins to turn his shoulder and block Betzner's view about frame 166 or so.

This is approx 33 frames or 2 seconds after it occurs in John Martin's film.

Remember limo location in John Martin's film with Betzner as the sync, and where it is in Z.

chris




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I hope everyone can now apply the approx 2 second rule to the extant Z film and understand all the other peculiarities.

For instance,

We are seeing Mysteryman (actually Croft in reality) 2 seconds before.

That is why Mysteryman is still in motion.

The two gentleman a little further down the street who appear to be looking up the street and clapping as the limo has gone by, well, move the limo back up Elm approx 33 frames and picture them at that point in relation to the limo.

chris




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Chris,



I do believe you may be onto something

really big here  walkietalkie2  Looking through

the Z frames on my computer & larger than is

what is seen in your FLV file from Zapruder, I'm

seeing the man beginning to step out in front

of Betzner and turning his shoulders something

closer to Z frame 173. I could be wrong, but

even still there would remain a gap over one

second and closer to two.



 gimme5xx



Rick


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Chris, and all.


First off, this is a HUGE file. 22.7 MB. Allow it

plenty of time to load. Zapruder frames 164-184

stabilized. Spot Betzner. Then watch as the man

steps out nearly in front of him.



Rick











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« Last Edit: April 28, 2010, 04:14:17 AM by Rick Needham »

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I hope everyone can now apply the approx 2 second rule to the extant Z film and understand all the other peculiarities.

For instance,

We are seeing Mysteryman (actually Croft in reality) 2 seconds before.

That is why Mysteryman is still in motion.

The two gentleman a little further down the street who appear to be looking up the street and clapping as the limo has gone by, well, move the limo back up Elm approx 33 frames and picture them at that point in relation to the limo.

chris


Please don't forget little Rosemary. She did not stop running until Z-198. SHE is the stopwatch, the Rosetta Stone.





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Chris,



I'm with you so far. How do we know

if we are seeing Betzner in the Martin film

as he is taking his famous photo of JFK?

Has the limo traveled down Elm far enough

as seen in Martin for Betzner to have already

taken his photo?



Rick



Rick,

Gather all the stabilizations I created. Martin, Dorman,  Bell and Z.

Keep your eye on Betzner in all of them.

Look at the positioning of Betzner, and his position to other people common in these films.

Look at where Betzner ends up in Dorman, after the Mysteryman stop/slice.

That's Betzner in Martin, he's moving toward the street to take his photo.

Move the limo from it's position in Z, at the time we see Betzner appear, back up Elm 2 seconds. Does it match where we see it in Martin?

In other words, where we see the limo in Z133, is that approx. where we see it in Martin when Betzner appears.?

chris








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Myer's uses 23.1 fps for Towner's film.

I say it's closer to 18 fps, what it was capable of.

168 total Towner frames/23.1fps=7.27 seconds

168 frames/18fps=9.33 seconds

Difference between the two is 2.06 seconds.

Use the 2 second rule. It works.

chris


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